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A triple-dotted note is a note with three dots written after it; its duration is 1 + 7 ⁄ 8 times its basic note value. Use of a triple-dotted note value is not common in the Baroque and Classical periods, but quite common in the music of Richard Wagner and Anton Bruckner, especially in their brass parts. [citation needed]
A note value may be augmented by adding a dot after it. This dot adds the next briefer note value, making it one and a half times its original duration. A number of dots ( n ) lengthen the note value by 2 n − 1 / 2 n its value, so two dots add two lower note values, making a total of one and three quarters times its original duration.
The word "crotchet" comes from Old French crochet, meaning 'little hook', diminutive of croc, 'hook', because of the hook used on the note in black notation of the medieval period. As the name implies, a quarter note's duration is one quarter that of a whole note, half the length of a half note, and twice that of an eighth note.
Most time signatures consist of two numerals, one stacked above the other: The lower numeral indicates the note value that the signature is counting. This number is always a power of 2 (unless the time signature is irrational), usually 2, 4 or 8, but less often 16 is also used, usually in Baroque music. 2 corresponds to the half note (minim), 4 to the quarter note (crotchet), 8 to the eighth ...
The system of note types used in mensural notation closely corresponds to the modern system. The mensural brevis is nominally the ancestor of the modern double whole note (breve); likewise, the semibrevis corresponds to the whole note (semibreve), the minima to the half note (minim), the semiminima to the quarter note (crotchet), and the fusa to the eighth note (quaver).
Additional dots lengthen the previous dot instead of the original note, thus a note with one dot is one and one half its original value, a note with two dots is one and three quarters—use of more than two dots is rare. Rests can be dotted in the same manner as notes. Ghost note A ghost note has a rhythmic value but no discernible pitch.
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For example, a tempo of 60 beats per minute signifies one beat per second, while a tempo of 120 beats per minute is twice as rapid, signifying two beats every second. The note value of a beat will typically be that indicated by the denominator of the time signature. For instance, in 4 4 time, the beat will be a crotchet, or quarter note.