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Akhenaten in the typical Amarna period style Statue of Akhenaten in the collection of the Egyptian Museum, Cairo. Styles of art that flourished during the reigns of Akhenaten and his immediate successors, known as Amarna art, are markedly different from the traditional art of ancient Egypt.
Amarna art, or the Amarna style, is a style adopted in the Amarna Period during and just after the reign of Akhenaten (r. 1351–1334 BC) in the late Eighteenth Dynasty, during the New Kingdom. Whereas ancient Egyptian art was famously slow to change, the Amarna style was a significant and sudden break from its predecessors both in the style of ...
The Colossal Statues of Akhenaten at East Karnak depict the 18th Dynasty pharaoh, Akhenaten (also known as Amenophis IV or Amenhotep IV), in a distorted representation of the human form. The statues are believed to be from early in his reign, which lasted arguably from either 1353 to 1336 BCE or 1351 to 1334 BCE.
A notable innovation from the reign of Akhenaten was the religious elevation of the royal family, including Akhenaten's wife, Nefertiti, and their three daughters. [55] While earlier periods of Egyptian art depicted the king as the primary link between humanity and the gods, the Amarna period extended this power to those of the royal family. [55]
Art before Akhenaten was characterized by its formality and restraint, and shifted toward becoming stylized. [3] While Akhenaten is famous for the changes he made in the religious practices and art, there were also changes in temple architecture, building methods, and public inscriptions.
The Egyptian team said this statement, which names two people who lived and worked in the city, also confirms that the city was active during Amenhotep III's reign alongside his son Akhenaten, who ...
An excerpt from Eyeliner: A Cultural History details the history of the elusive Egyptian queen, and the everlasting allure of her kohl rimmed eyes.
Significantly, for the only time in the history of Egyptian royal art, Akhenaten's family was depicted in a decidedly naturalistic manner. It is clearly shown displaying affection. Images of Akhenaten and Nefertiti usually depict the Aten prominently above that pair, with the hands of the Aten closest to each offering Ankhs.