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The "bridge" consists of a series of dominant seventh chords (III 7 –VI 7 –II 7 –V 7) that follow the circle of fourths (ragtime progression), sustained for two bars each, greatly slowing the harmonic rhythm as a contrast with the A sections. This is known as the Sears Roebuck bridge, named after Sears, Roebuck and Co. [11]
Montgomery-Ward bridge in C Play ⓘ Montgomery-Ward bridge with ii–Vs in C Play ⓘ In jazz music, the Montgomery-Ward bridge (also Riepel's Monte) is a standard chord progression often used as the bridge, or 'B section', of a jazz standard. The progression consists, in its most basic form, of the chords I 7 –IV 7 –ii 7 –V 7.
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In music, especially Western popular music, a bridge is a contrasting section that prepares for the return of the original material section. In a piece in which the original material or melody is referred to as the "A" section, the bridge may be the third eight-bar phrase in a 32-bar form (the B in AABA), or may be used more loosely in verse-chorus form, or, in a compound AABA form, used as a ...
Sometimes, especially in blues music, musicians will take chords which are normally minor chords and make them major. The most popular example is the I–VI–ii–V–I progression; normally, the vi chord would be a minor chord (or m 7, m 6, m ♭ 6 etc.) but here the major third makes it a secondary dominant leading to ii, i.e. V/ii.