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She had previously made her debut at the Boston Opera House in 1910 in the title role of Verdi's Aida. [6] She sang several more roles in Boston through 1912, including Cio-Cio-San, Desdemona, and Mimi. [7] She also sang the role of Aida with the Chicago Grand Opera Company in Chicago in 1911 and on tour with the company in Philadelphia in 1912 ...
The Boston Opera House, also known as the Citizens Bank Opera House, [1] is a performing arts and esports venue located at 539 Washington St. in Boston, Massachusetts.It was originally built as the B.F. Keith Memorial Theatre, a movie palace in the Keith-Albee chain.
Thereafter Carmen was quickly incorporated into the Met's regular repertory. In February 1906 Enrico Caruso sang José at the Met for the first time; he continued to perform in this role until 1919, two years before his death. [66] On 17 April 1906, on tour with the Met, he sang the role at the Grand Opera House in San Francisco.
On 1 September 1909, Marguerite Sylva made her American operatic debut as Carmen at the Manhattan Opera House. [11] In the ensuing years Sylva sang with Hammerstein's company (until a contractual dispute ended their professional relationship), the Boston Opera Company [12] and with the San Carlo Opera Company in the United States.
This list includes opera productions of the Opera Group and Opera Company of Boston from 1958 to 1990. ... Carmen – Bizet; 1960–61. La traviata – Verdi;
The second San Carlo Opera Company was a touring grand opera company founded by the Italian-American impresario Fortune Gallo.Taking over management of a touring opera company led by Mario Lambardi that was stranded in St. Louis, Missouri, in 1910, Gallo brought them back to New York City, untangled their finances, and reorganized them as the San Carlo Opera Company, opening in December 1913 ...
In 1920 Sharlow returned to the Boston Opera House in Gustave Charpentier's Louise with Mary Garden in the title role. Having upstaged Garden in a performance of a secondary role, The Boston Globe's review of the performance was bi-lined "Myrna Sharlow Makes Hit in Minor Role". [23] She returned to Boston again in 1923 to sing Gounod's Marguerite.
The SCOC was basically the artistic seed for the new Boston Opera Company as many artists working for this touring company, such as Alice Nielsen, Lillian Nordica, Florencio Constantino, and Louise Homer, became a part of the Boston Opera Company. The company's first performance was given for the opening of the Boston Opera House on November 8 ...
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