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Daniel Deronda is a novel written by English author George Eliot, pen name of Mary Ann Evans, first published in eight parts (books) February to September 1876. [1] It was the last novel she completed and the only one set in the Victorian society of her day.
The importance of William Wordsworth's Lyrical Ballads to the way Adam Bede is written has often been noted. Like Wordsworth's poems, Adam Bede features minutely detailed empirical and psychological observations about illiterate "common folk" who, because of their greater proximity to nature than to culture, are taken as emblematic of human nature in its more pure form.
It Is Never Too Late to Mend (sometimes written as It's Never Too Late to Mend) is an 1856 novel by the British writer Charles Reade. It was later turned into a play. A ruthless squire becomes obsessed with a younger woman and conspires to have her lover framed and sent to jail. The book was partly based on an earlier play of Reade's Gold!. [1]
Mary Ann Evans (22 November 1819 – 22 December 1880; alternatively Mary Anne or Marian [1] [2]), known by her pen name George Eliot, was an English novelist, poet, journalist, translator, and one of the leading writers of the Victorian era. [3]
It is like juggling sand (Ian Murray) It is never too late; It is no use crying over spilt milk; It is no use locking the stable door after the horse has bolted; It is not enough to learn how to ride, you must also learn how to fall; It is on; It is the early bird that gets the worm; It is the empty can that makes the most noise
Impressions of Theophrastus Such is a work of fiction by George Eliot (Marian Evans), first published in 1879. It was Eliot's last published writing and her most experimental, taking the form of a series of literary essays by an imaginary minor scholar whose eccentric character is revealed through his work.
Disney+ documentary ‘Elton John: Never Too Late’ juxtaposes the artist’s historic Dodger Stadium concerts in 1975 with his final North American concerts there in 2022.
In George Eliot's The Mill on the Floss (1860), Mr. Tulliver uses the phrase in discussing Daniel Defoe's The History of the Devil, saying how it was beautifully bound.; The phrase was popularized when it appeared in the 1946 murder mystery, Murder in the Glass Room, by Lester Fuller and Edwin Rolfe: “You can never tell a book by its cover.”
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