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Domestic leadlight (1920s) employs an Art Deco motif in brightly coloured opalescent glass set in transparent glass which is both textured and cut with bevelled edges to reflect the light. A highly detailed design by Frank Furness for the University of Pennsylvania Library (1888–90), Philadelphia .
Glass: Sgraffito can be seen in both blown and stained glass windows, where skilled artisans carve intricate designs into the surface of the glass, creating stunning visual effects when illuminated. Enamel : In the realm of enamelwork, sgraffito techniques are utilized to carve designs into the enamel surface, adding texture and dimension to ...
Decorative glass paperweights have a flat or slightly concave base, usually polished but sometimes frosted, cut in one of several variations (e.g. star-cut bases have a multi-pointed star, while a diamond cut base has grooves cut in a criss-cross pattern), although a footed weight has a flange in the base.
The colored glass is crafted into stained glass windows in which small pieces of glass are arranged to form patterns or pictures, held together (traditionally) by strips of lead, called cames or calms, and supported by a rigid frame. Painted details and yellow stain are often used to enhance the design.
The idea of "art glass", small decorative works made of art, often with designs or objects inside, flourished. Pieces produced in small production runs, such as the lampwork figures of Stanislav Brychta, are generally called art glass. By the 1970s, there were good designs for smaller furnaces, and in the United States, this gave rise to the ...
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One of the most prestigious stained glass commissions of the 19th century, the re-glazing of the 13th-century east window of Lincoln Cathedral, Ward and Nixon, 1855. A revival of the art and craft of stained-glass window manufacture took place in early 19th-century Britain, beginning with an armorial window created by Thomas Willement in 1811–12. [1]
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