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L'Opéra au Palais Garnier 1875–1962; Paris n.d. but probably 1963 ^ Charlton, David. The Cambridge Companion to Grand Opera , p. 187, available online at Google Books.
The Palais Garnier has been called "probably the most famous opera house in the world, a symbol of Paris like Notre Dame Cathedral, the Louvre, or the Sacré Coeur Basilica". [8] This is at least partly due to its use as the setting for Gaston Leroux 's 1910 novel The Phantom of the Opera and, especially, the novel's subsequent adaptations in ...
Note: This category contains articles about only those operas and ballets which received their world premiere (first ever) staged performances at the Paris Opera.Note that the company has had several changes of name and of venue.
Century Theatre, Beijing National Centre for the Performing Arts; Poly Theatre, Beijing Zhengyici-xi-lou, Beijing Opera, Beijing Poly Theatre (People's Liberation Army Opera House), Beijing
The Library-Museum is housed in the Palais Garnier in the Rotonde de l'Empereur, a pavilion on the west side of the theatre, which was originally designed to be the private entrance for Emperor Napoleon III. Thus, the Emperor's could directly enter in the building and avoid any assassination attempt.
The Salle Le Peletier, home of the Paris Opera during the middle of the 19th century. French opera is both the art of opera in France and opera in the French language.It is one of Europe's most important operatic traditions, containing works by composers of the stature of Rameau, Berlioz, Gounod, Bizet, Massenet, Debussy, Ravel, Poulenc and Messiaen.
In the nineteenth century, much of the work of foreign composers was performed. The State determined the number of versions and exercised censorship. There were 1 to 7 premieres and 30 productions per season. In 1870 the company moved to the new Opera Building, now Palais Garnier. A library was set up.
Le roi de Lahore ("The king of Lahore") is an opera in five acts by Jules Massenet to a French libretto by Louis Gallet.It was first performed at the Palais Garnier in Paris on 27 April 1877 in costumes designed by Eugène Lacoste and settings designed by Jean Émile Daran (Act I, scene 1), Auguste Alfred Rubé and Philippe Chaperon (Act I, scene 2; Act V), Louis Chéret (Act II), Jean ...