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Close to the Edge was released on 8 September 1972 in the UK [4] and on 13 September 1972 in the US, [5] [44] six weeks into the band's 1972–73 world tour to promote the album. It became their biggest commercial success since their formation, reaching number 3 on the Billboard 200 chart in the United States [ 45 ] and number 4 on the UK ...
In 1996, Progression magazine writer John Covach wrote that it is Tales from Topographic Oceans, not Close to the Edge, that represents the band's true hallmark of the first half of their 1970s output and their "real point of arrival". He pointed out "the playing is virtuosic throughout, the singing innovative and often complex, and the lyrics ...
Relayer is the seventh studio album by the English progressive rock band Yes, released in November 1974 by Atlantic Records.After keyboardist Rick Wakeman left the group in May 1974 over disagreements with the band's direction following their double concept album Tales from Topographic Oceans (1973), Yes entered rehearsals as a four-piece in Buckinghamshire.
A prototype for five-channel surround sound, then dubbed "quintaphonic sound", was used in the 1975 film Tommy. [6]5.1 dates back to 1976, [7] when Dolby Labs modified the track usage of the six analogue magnetic soundtracks on Todd-AO 70 mm film prints.
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Rick Wakeman, keyboardist, recorded his track "Jane Seymour" (from The Six Wives of Henry VIII) and the pipe organ parts in the third section of Yes track "Close to the Edge" [14] using the pipe organ in the church; Jack Nitzsche, composer, pianist, recorded "St. Giles Cripplegate" with the London Symphony Orchestra in 1972
On 31 July 1971, Yes performed the final concert of their 1970–71 tour at Crystal Palace Park, London in support of their previous album, The Yes Album (1971). The tour was significant for the band as it included their first set of gigs in the US which helped them gain momentum as The Yes Album and its single, "Your Move", reached the US top 40.
"Closer to the Edge" is a song written by Jared Leto and performed by American rock band Thirty Seconds to Mars. Produced by the band, co-produced by Flood , the track is the seventh track and the third single from their third studio album, This Is War (2009).