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Ta-no-Kami shares the kami of corn, the kami of water and the kami of defense, especially the kami of agriculture associated with mountain faith and veneration of the dead (faith in the sorei). Ta-no-Kami in Kagoshima Prefecture and parts of Miyazaki Prefecture is unique; farmers pray before Ta-no-Kami stone statues in their communities.
No Song Composer(s) Writer(s) Co-artist(s) Agent 123: 31 "Aao Aao Yeh Dekho To" S. N. Tripathi B. D. Mishra Suresh Wadkar Avtaar: 32 "Zindagi Mauj Udane Ka" Laxmikant-Pyarelal Anand Bakshi Mahendra Kapoor, Suresh Wadkar Bechara: 33 "O Sanam Mere Sanam" Ameen-Sangeet Mukhtar Anup Jalota: Bekhabar: 34 "Gori Pareshan" Usha Khanna Sameer solo Chor ...
The folkloricist Kunio Yanagita theorizes with words such as "river-child migration" that these seasonal changes between kappa and yamawaro comes from the seasonal changes between faith and the field gods and the mountain gods (Yama-no-Kami) and that since birds could often be heard in many places during those times, it may be related to the ...
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The guitarist described "Unmei no Deai", which Kami said had a French-like image, as having a "gentleness" that Malice Mizer had never done before. [1] It was the most difficult song on the EP, and undertook a significant change while they arranged it. [1] Mana felt that "Mori no Naka no Tenshi" was brighter and said it has a "fun feeling."
Hitomi Shimatani (島谷ひとみ, Shimatani Hitomi, born 4 September 1980) is a Japanese pop singer. [1]Formerly signed to the Avex Trax label for 22 years, Shimatani started her career as an Enka singer with the release of her debut single "Ōsaka no Onna" (大阪の女, Ōsakan Woman) in 1999, but later decided to get into the dance/pop style for her music.
"Promise" (stylized as "promise") is a song recorded by Japanese singer-songwriter Kohmi Hirose, from her seventh studio album, Rhapsody. It was released on November 27, 1997, by Victor Entertainment as the album's second single. It is Hirose's second best-single, behind "Romance no Kamisama", selling over 600,000 copies.
The song interpolates the hook and guitar riff from Crystal Waters' 1991 song "Gypsy Woman". [2] In 2007, the song was reworked and released as "Hot Summer Night (Oh La La La)", by Spanish singer and DJ David Tavaré, which credited 2 Eivissa as featuring artists due to the usage of vocal samples. It was a smash hit across Europe, peaking at ...