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For a full catalog raisonné containing the dates, places and participants of premieres as well as the names and sources for lost works (especially the early chamber and orchestral music), abandoned works (like the opera Silk or the film score to Goodbye, Mr. Chips), rejected works (like the film score to See No Evil) and withdrawn works (like the Cello Concerto No. 1) see Frédéric Döhl ...
In 2016, London art dealer James Mayor filed a lawsuit against Arne Glimcher and the Agnes Martin catalog raisonné committee, arguing that they had hurt the value of 13 works of Martin he sold after they decided not to include them in their catalog. [35] The New York Supreme Court dismissed the lawsuit in 2018. [35]
Agnes Bernice Martin RCA (March 22, 1912 – December 16, 2004) was an American abstract painter known for her minimalist style and abstract expressionism. [1] [2] Born in Canada, she moved to the United States in 1931, where she pursued higher education and became a U.S. citizen in 1950.
[2] A catalogue raisonné is normally produced by the artist or by a committee of family members, experts or academics, collectively known as "producers". The catalogue ordinarily contains a list of characteristics of an artwork such as the title, year of production, dimensions, medium and a description of the work, alongside an image of the work.
The following is a list of films originally produced and/or distributed theatrically by Metro-Goldwyn-Mayer and released (or scheduled to be released) in the 2020s. This does not include select titles produced solely by Amazon MGM Studios following their 2022 acquisition of the studio and their own rebrand in 2023 despite them using the 2021 MGM logo in the films themselves.
The website's consensus reads: "It may not deliver as many straight-up scares as genre fans expect, but Agnes takes a gratifyingly unusual approach to well-worn territory." [10] Metacritic, which uses a weighted average, assigned the film a score of 65 out of 100, based on 13 critics, indicating "generally favorable" reviews. [11]
In his article highlighting the best movies of 2022, Richard Brody of The New Yorker said, "This year, it’s all the more important to offer a widely inclusive list, because a wide range of American filmmakers have caught up with the inescapable phenomenon of the recent past: the resurgence of openly anti-democratic forces and brazenly hate-driven ideologies, the crisis of illegitimate rule ...
Agnes Martin's film is about water, about countryside, flowers, nature, and mystery.' [24] The art critic Rosalind Krauss wrote about the film in her essay for the catalogue of the 1993 retrospective of Agnes Martin’s work (at the Whitney Museum of American Art , New York).
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