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A very popular 20th-century depiction among Roman Catholics and Anglicans is the Divine Mercy image, [89] which was approved by Pope John Paul II in April 2000. [90] The Divine Mercy depiction is formally used in celebrations of Divine Mercy Sunday and is venerated by over 100 million Catholics who follow the devotion. [74]
The pre-existence of Christ asserts the existence of Christ prior to his incarnation as Jesus.One of the relevant Bible passages is John 1 (John 1:1–18) where, in the Trinitarian interpretation, Christ is identified with a pre-existent divine hypostasis (substantive reality) called the Logos (Koine Greek for "word").
A new development which occurred at this time was the depiction of Jesus without a narrative context; he was just depicted as a figure all by himself. [18] By the fifth century, depictions of the Passion began to appear, perhaps reflecting a change in the theological focus of the early Church. [84]
The depiction of Jesus already from the 3rd century included images very similar to what became the traditional image of Jesus, with a longish face and long straight hair. As the Church increased in size and popularity, the need to educate illiterate converts led to the use of pictures which portrayed biblical stories, along with images of ...
Christ Pantocrator of Saint Catherine's Monastery is one of the oldest Byzantine religious icons, dating from the 6th century AD. [1] The earliest known surviving depiction of Jesus Christ as Pantocrator (literally ruler of all ), it is regarded by historians and scholars among the most important and recognizable works in the study of Byzantine ...
A depiction by Cosmas Damian Asam (1718–1720) omits the figure of Christ. Numerous texts were used in support and elucidation of the motif. The key scriptural passage was Isaiah 63:3, taken as spoken by Christ, says "I have trodden the winepress alone", and wine-stained clothes are mentioned.
The Good Shepherd, c. 300–350, at the Catacombs of Domitilla, Rome The Good Shepherd (Greek: ποιμὴν ὁ καλός, poimḗn ho kalós) is an image used in the pericope of John 10:1–21, in which Jesus Christ is depicted as the Good Shepherd who lays down his life for his sheep.
Either the Annunciation to the Shepherds by the angel, or the Adoration of the Shepherds, which shows the shepherds worshipping the infant Christ, have often been combined with the Nativity proper, and the visit of the Magi, since very early times. The former represented the spreading of the message of Christ to the Jewish people, and the ...
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