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The Holy Spirit as a dove in the Annunciation by Rubens, 1628. The Holy Spirit has been represented in Christian art both in the Eastern and Western Churches using a variety of depictions. [1] [2] [3] The depictions have ranged from nearly identical figures that represent the three persons of the Holy Trinity from a dove to a flame. [4]
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Fire, especially in the form of a candle flame, represents both the Holy Spirit and light. These symbols derive from the Bible; for example from the tongues of fire [27] that symbolized the Holy Spirit at Pentecost, and from Jesus' description of his followers as the light of the world; [28] or God is a consuming fire found in Hebrews 12. [29]
Free Methodist Church logo. In the Free Methodist Church, the cross and flame logo is used to symbolize the "Holy Spirit spreading across the entire world". [4] The globe (on which the cross and flame are superimposed) alludes to John Wesley's dictum for Methodist believers: "The world is my parish" representing the missional purpose of the Church. [11]
According to Cho, God told him he was "going to send revival to the seaside city of Pensacola, and it will spread like a fire until all of America has been consumed by it." [4] On Father's Day June 18, 1995, a Sunday, the revival began, evangelist Steve Hill was the guest speaker, having been invited by Kilpatrick. Later, Hill and Kilpatrick ...
Baroque Trinity, Hendrick van Balen, 1620, (Sint-Jacobskerk, Antwerp) Holy Trinity, fresco by Luca Rossetti da Orta, 1738–39 (St. Gaudenzio Church at Ivrea). The Trinity is most commonly seen in Christian art with the Holy Spirit represented by a dove, as specified in the gospel accounts of the baptism of Christ; he is nearly always shown with wings outspread.
The Holy Spirit is often depicted as a dove, based on the account of the Holy Spirit descending on Jesus like a dove when he was baptized in the Jordan river. [149] In many paintings of the Annunciation , the Holy Spirit is shown in the form of a dove, coming down towards Mary on beams of light, as the Archangel Gabriel announces Jesus Christ ...
But images of God the Father were not directly addressed in Constantinople in 869. A list of permitted icons was enumerated at this Council, but images of God the Father were not among them. [17] However, the general acceptance of icons and holy images began to create an atmosphere in which God the Father could be depicted. [citation needed]
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