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Govardhan, Emperor Jahangir visiting the ascetic Jadrup, c. 1616–1620 [1]. Mughal painting is a South Asian style of painting on paper confined to miniatures either as book illustrations or as single works to be kept in albums (), originating from the territory of the Mughal Empire in the Indian subcontinent.
Genealogical paintings of this sort, emphasizing the rulers' lineage, are known in Mughal art, and one of the most famous examples of this is the Princes of the House of Timur in the British Museum. [4] The painting is one of the last works of the Bijapur school of miniature painting, representing the final phase of the style.
Portrait of an old man, a presumed self-portrait (detail). Metropolitan Museum of Art, New York. Farrukh Beg (Persian: فرخ بیگ; c. 1547 – after 1615), also known as Farrukh Husayn, was a Persian miniature painter, who spent a bulk of his career in Safavid Iran and Mughal India, praised by Mughal Emperor Jahangir as "unrivaled in the age."
At the same time solid and strong colors, flat patterns with no discernible cloth texture and lack of three-dimensionality suggest return to the pre-Mughal style of painting. [103] Kota, 1844. National Gallery of Victoria. Maharaja Sardar Singh of Bikaner by Chotu (fl c. 1870–1886). This painting is a clear example of the influence of ...
The Mughal art style was born in the hands of Akbar, whose liberalism led to the unification of Hindu and Islamic elements of art. His court saw the translations of Persian and Sanskrit texts, and illustrations of the same were carried on simultaneously. [28] Miniatures produced during Jahangir's time testify to his sensitive eye for beauty.
The Mughal court was aware of the Deccan style, and some Deccani paintings, especially from Bijapur, were included in albums compiled by Akbar and Jahangir. Some Mughal painters adopted a quasi-Deccani style in the early 17th century, perhaps following instructions from their patrons. [ 39 ]
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