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Raja Balwant Singh’s Vision of Krishna and Radha by Nainsukh. Jasrota, c. 1745-1750. Metropolitan Museum of Art. The Kangra art style originated in Guler State, a small hill princely state in the Lower Himalayas in the first half of the 18th century when a family of Kashmiri painters trained in the Mughal painting style sought shelter at the court of Raja Dalip Singh (r. 1695–1741) of Guler.
Indian miniature paintings are a class of paintings originating from India. [1] Made on canvases a few inches in length and width, the Indian miniatures are noted for the amount of details that the artist encapsulates within the minute canvas frame; and the characteristic sensitivity with which the human, divine and natural forms are portrayed.
Radha-Krishna theme, from the Gita Govinda in Pahari style, Garhwal sub-school. Pahari painting (lit. ' a painting from the mountainous regions, pahar meaning a mountain in Hindi ') is an umbrella term used for a form of Indian painting, done mostly in miniature forms, originating from the lower Himalayan hill kingdoms of North India, during the early 17th to mid 19th century, notably Basohli ...
Guler State is famous as the birthplace of Kangra painting when in the first half of the 18th century, a family of Kashmiri painters trained in the Mughal painting style sought shelter at the court of Raja Dalip Singh (r. 1695–1741) of Guler. The rise of Guler Paintings or Guler style started what is known as the early phase of Kangra art. [3]
Mola Ram himself initially painted in the Mughal style until visiting Kangra, [8] e.g. his painting Mastani is in the Mughal idiom, [9] while his later paintings, e.g. Vasakasajja Nayika, [10] are in the Garhwal style, and can be called Garhwali Paintings in true sense. Some of his paintings are signed. [2]
[5] [6] The Dogra-Pahari paintings displayed in the museum were creation of the second half of the 18th century in Jammu and Himachal Pradesh of the Kangra school of art. To quote the words of Karan Singh: "The whole effect is to transport one into a fascinating miniature world with its own aura and ethos." [7]
Miniature (painting). Rama on horseback surrounded by his army. Unknown Maker, Kangra School. Bodycolour including white, with pen and ink and gold, within drawn borders, containing floral motif, on paper, height 239 mm, width 194 mm, early 19th Century. National Art Collections Fund. Camera manufacturer: Hasselblad: Camera model: Hasselblad ...
It was one of the centers of Kangra-style miniature paintings (a chitrakala school) and Hindu temples built in an unusual blend of conventional Nagara architecture shrines with Mughal architecture palace, the latter decorated with floral murals of legends from the Ramayana and the Mahabharata. [1]
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