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The variations have been called "Beethoven’s most overt pianistic homage to the Baroque." [2] The variations differ in character, technical difficulty and dynamics. Pianist Yue Chu points out that the key of C minor indicates that "Beethoven was serious when composing this work," despite his apparent misgivings later. [3]
During the Classical era, C minor was used infrequently and often for works of a particularly turbulent cast. [citation needed] Mozart, for instance, wrote only very few works in this key, but they are among his most dramatic ones (the twenty-fourth piano concerto, the fourteenth piano sonata, the Masonic Funeral Music, the Adagio and Fugue in C minor and the Great Mass in C minor, for instance).
The Bagatelles, Op. 33, for solo piano were composed by Ludwig van Beethoven (1770–1827) in 1801–02 and published in 1803 through the Viennese publisher Bureau des arts et d'industrie. The seven bagatelles are quite typical of Beethoven's early style, retaining many compositional features of the early Classical period .
Title page of Beethoven's symphonies from the Gesamtausgabe. The list of compositions of Ludwig van Beethoven consists of 722 works [1] written over forty-five years, from his earliest work in 1782 (variations for piano on a march by Ernst Christoph Dressler) when he was only eleven years old and still in Bonn, until his last work just before his death in Vienna in 1827.
The title page of the first book of J.S. Bach's The Well-Tempered Clavier, which covers all 24 major and minor keys.. There is a long tradition in classical music of writing music in sets of pieces that cover all the major and minor keys of the chromatic scale.
Portrait of Nikolaus Johann van Beethoven, the composer's younger brother and the dedicatee of the six bagatelles, c. 1841, by an unknown artist. A bagatelle, in Beethoven's usage, is a kind of brief character piece. [citation needed] The set comprises six short works, as follows: Andante con moto, Cantabile e compiacevole, G major, 3 4
In the third section (second subject), the clarinet and violin 1 introduce the second main theme which is initially in the relative key, E ♭ major, and then in the tonic major, C major, finally back to C minor. Second exposition: The piano enters with an ascending scale motif. The structure of the exposition in the piano solo is similar to ...
Beethoven – Piano trio No. 6 in E ♭ major, ii (C) [33] Beethoven – Violin Sonata No. 9, "Kreutzer", i (A) [34] Beethoven – Piano Quartet No. 1 in E ♭ WoO 36, i (and ii) (E ♭) [35] (although sometimes construed as two separate movements, they are not really separable as the first ends with a half-cadence leading into the second)
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