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The Adoration of the Magi is a painting of 1633–34 by the Flemish Baroque artist Peter Paul Rubens, made as an altarpiece for a convent in Louvain. It is now in King's College Chapel, Cambridge, in England. It measures 4.2 m × 3.2 m (13 ft 9 in × 10 ft 6 in).
Peter Paul Rubens painted the Adoration of the Magi (Matthew 2:1ff) more often than any other episode from the life of Christ. [1] The subject offered the Counter-Reformation artist the chance to depict the richest worldly panoply, rich textiles, exotic turbans and other incidents, with a range of human types caught up in a dramatic action that expressed the humbling of the world before the ...
Descent from the Cross is an oil-on-canvas painting of 1600–1602 by the Flemish artist Peter Paul Rubens. It was his first major commissioned work made for the private chapel of Eleonora de’ Medici Gonzaga (1567–1611), duchess of Mantua. The painting remained somewhat obscure until 2001, when it was discovered by German art historian ...
The Descent from the Cross (1616-1617) by Rubens. The Descent from the Cross is a painting by Peter Paul Rubens, executed around 1616–1617 for the chapel of the Capuchin convent in Lille, France. It was seized by France and was part of the founding collection of the Palais des Beaux-Arts de Lille, where it is still housed.
The Triumph of the Church (c. 1625) by Rubens. The Triumph of the Church or The Triumph of the Church over Fury, Discord and Hatred is a c.1625 oil-on-panel painting by Peter Paul Rubens, now in the Museo del Prado in Madrid. Its dimensions are 63.5 cm (25 in) x 105 cm (41.3 in).
Sir Peter Paul Rubens (/ ˈ r uː b ən z / ROO-bənz; [1] Dutch: [ˈpeːtər pʌul ˈrybəns]; 28 June 1577 – 30 May 1640) was a Flemish artist and diplomat. [2] He is considered the most influential artist of the Flemish Baroque tradition. Rubens' highly charged compositions reference erudite aspects of classical and Christian history.
The same church was chosen by Eleonor of Austria as the place of her burial: her remains were placed under its main altar, right in front of the presbytery chapel adorned by the Rubens paintings. [3] The whole Rubens cycle, consistent with the dedication of the church that holds it, references the Catholic divine Trinity.
The Descent from the Cross is a c.1618 oil on canvas painting by Peter Paul Rubens and his studio. The broad free brushstrokes of the old man's body and robes point to Rubens' pupil Anthony van Dyck. It is now in the Hermitage Museum in St Petersburg. [1]
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