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"Locksley Hall" is a poem written by Alfred Tennyson in 1835 and published in his 1842 collection of Poems. It narrates the emotions of a rejected suitor upon coming to his childhood home, an apparently fictional Locksley Hall, though in fact Tennyson was a guest of the Arundel family in their stately home named Loxley Hall, in Staffordshire, where he spent much of his time writing whilst on ...
Mason Locke Weems (October 11, 1759 – May 23, 1825), usually referred to as Parson Weems, was an American minister, evangelical bookseller and author who wrote (and rewrote and republished) the first biography of George Washington immediately after his death. [1]
Tipping the Velvet is a 1998 debut novel by Welsh novelist Sarah Waters. A historical novel set in England during the 1890s, it tells a coming-of-age story about a young woman named Nan who falls in love with a male impersonator , follows her to London, and finds various ways to support herself as she journeys through the city.
Between the Lines is a young adult (YA) fiction novel co-written by the American author Jodi Picoult and her daughter, Samantha Van Leer. Between the Lines is Picoult's first YA novel, and Van Leer's first published work. [1] The novel was published on June 26, 2012, by Simon Pulse, an imprint of Simon and Schuster. [2]
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A year later it was published in Schwartz's first book of poems and stories which was also entitled In Dreams Begin Responsibilities. The title came from the Irish poet W. B. Yeats' 1914 volume of poems Responsibilities, which has an epigraph "In dreams begins responsibility," attributed to an "Old play."
The lengthy autobiographical essay by Due elucidates the history and context of her first novel The Between among many other works and details of her life. [3] Due also subtly suggests the horrifying thought that pervades the story but is left tactfully unspoken: if each of us creates our own reality, then ultimately we are all alone in the world.
"The Husband's Message" is an anonymous Old English poem, 53 lines long [1] and found only on folio 123 of the Exeter Book.The poem is cast as the private address of an unknown first-person speaker to a wife, challenging the reader to discover the speaker's identity and the nature of the conversation, the mystery of which is enhanced by a burn-hole at the beginning of the poem.