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A classic example of a U-shaped plot in the Bible is the Parable of the Prodigal Son in Luke 15:11–24. The parable opens at the top of the U with a stable condition but turns downward after the son asks the father for his inheritance and sets out for a "distant country" (Luke 15:13).
A prologue or prolog (from Greek πρόλογος prólogos, from πρό pró, "before" and λόγος lógos, "word") is an opening to a story that establishes the context and gives background details, often some earlier story that ties into the main one, and other miscellaneous information.
The Semblanzas consists of a prologue followed by 172 short biographies of, in order: the kings of Israel and Judah, the kings of the gentile nations (Assyria, Babylonia, Egypt), Alexander the Great, Roman consuls and Roman emperors, Muḥammad, the kings of the Visigoths, Ṭāriq ibn Ziyād and the rulers of the Iberian realms (Asturias ...
The prologue introduces a company of Norsemen who have fled the pestilence and set sail to seek the fabled Earthly Paradise "across the western sea where none grow old." Not having succeeded in their quest, they have returned "shrivelled, bent, and grey," after lengthy wanderings abroad, to a "nameless city in a distant sea" where the worship ...
While the Franklin claims in his prologue that his story is in the form of a Breton lai, it is actually based on two closely related tales by the Italian poet and author Boccaccio. These appear in Book 4 of Il Filocolo, 1336, and as the 5th tale on the 10th day of the Decameron. In both stories, a young knight is in love with a lady married to ...
The Prologue is the first section of four books of the Prose Edda, and consists of a euhemerized account of the origins of Norse mythology. According to the Prologue, the Norse gods originate from the Trojans described in Homer 's poetry, and are King Priam 's descendants.
The Parson's portrait in the General Prologue "stresses his teaching by example rather than by precept"; unlike other characters, who use scripture for their own ends, the Parson is the only one who uses scripture for the exclusive purpose of benefiting his listeners' souls. [2] His tale, accordingly, is somewhat drab, boring, and single-voiced.
The epigraph may serve as a preface to the work; as a summary; as a counter-example; or as a link from the work to a wider literary canon, [2] with the purpose of either inviting comparison or enlisting a conventional context. [3] A book may have an overall epigraph that is part of the front matter, or one for each chapter.