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In their original Greek version, Doric columns stood directly on the flat pavement (the stylobate) of a temple without a base. With a height only four to eight times their diameter, the columns were the most squat of all the classical orders; their vertical shafts were fluted with 20 parallel concave grooves, each rising to a sharp edge called an arris.
The entablature consists of three horizontal layers, all of which are visually separated from each other using moldings or bands. In Roman and post-Renaissance work, the entablature may be carried from column to column in the form of an arch that springs from the column that bears its weight, retaining its divisions and sculptural enrichment ...
In classical architecture, proportions were set by the radii of columns. Proportion is a central principle of architectural theory and an important connection between mathematics and art. It is the visual effect of the relationship of the various objects and spaces that make up a structure to one another and to the whole.
A drawing of a butterfly with bilateral symmetry, with left and right sides as mirror images of each other.. In geometry, an object has symmetry if there is an operation or transformation (such as translation, scaling, rotation or reflection) that maps the figure/object onto itself (i.e., the object has an invariance under the transform). [1]
These illustrations depict some of the varying types of pediments and columns commonly found in Ancient Greek and Ancient Roman Architecture. Another distinguishing feature of frontispieces is the style of pediments used which can range from triangular pediments, segmental pediments, open pediments to broken pediments. [6]
The type of symmetry is determined by the way the pieces are organized, or by the type of transformation: An object has reflectional symmetry (line or mirror symmetry) if there is a line (or in 3D a plane) going through it which divides it into two pieces that are mirror images of each other. [6]
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In architecture, an engaged column is a column embedded in a wall and partly projecting from the surface of the wall, sometimes defined as semi or three-quarter detached. Engaged columns are rarely found in classical Greek architecture, and then only in exceptional cases, but in Roman architecture they exist in abundance, most commonly embedded ...
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