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In the words of Peter Gradenwitz, from this period onwards, the issue is "no longer the story of Jewish music, but the story of music by Jewish masters." [ 24 ] Jacques Offenbach (1819–1880), a leading composer of operetta in the 19th century, was the son of a cantor, and grew up steeped in traditional Jewish music.
In 1898, two Jewish historians, Saul Ginsburg and Pesach Marek, embarked on the first effort to create an anthology of Jewish folk music. [3]: 26 The main catalyzer of the movement for national Jewish music, however, was Joel Engel. Engel, composer and music critic, was born outside the Pale of Jewish settlement, and was a completely ...
The ancient Georgian historic chronicle, The Conversion of Kartli, is the oldest and only Georgian source concerning the history of the Jewish community in Georgia. The chronicle describes a version similar to that offered centuries later by Leonti Mroveli, but the period of Jewish migration into Georgia is ascribed to Alexander the Great:
Jewish music has been influenced by surrounding Gentile traditions and Jewish sources preserved over time. Jewish musical contributions on the other hand tend to reflect the cultures of the countries in which Jews live, the most notable examples being classical and popular music in the United States and Europe.
David Baazov (Georgian: დავით ბააზოვი; 1883–1947) was a Georgian-Jewish public and religious figure who spearheaded the Zionist movement in Georgia. His program was an amalgam of moderate orthodox religiosity, enlightenment, and Zionism.
Religious Jewish Music in the 20th century has spanned the gamut from Shlomo Carlebach's nigunim to Debbie Friedman's Jewish feminist folk, to the many sounds of Daniel Ben Shalom. Velvel Pasternak has spent much of the late 20th century acting as a preservationist and committing what had been a strongly oral tradition to paper.
Jewish religious movements, sometimes called "denominations", include diverse groups within Judaism which have developed among Jews from ancient times. Today in the west, the most prominent divisions are between traditionalist Orthodox movements (including Haredi ultratraditionalist and Modern Orthodox branches) and modernist movements such as Reform Judaism originating in late 18th century ...
Largely influenced by the folk music revival of the time, in the 1960s and 1970s, a new genre of worship music grew out of the Reform summer camp movement. From almost the beginning of Reform worship, the music centered around the use of organ and choir. [ 3 ]