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A twelve-inch Capitol Records gramophone record. The twelve-inch single (often written as 12-inch or 12″) is a type of vinyl (polyvinyl chloride or PVC) gramophone record that has wider groove spacing and shorter playing time with a "single" or a few related sound tracks on each surface, compared to LPs (long play) which have several songs on each side.
While receiving a proper release in other countries, Warner Bros. Records relegated the song to 12-inch B-side status in America despite its enormous popularity on radio and MTV, thus making it ineligible to enter the Billboard U.S. Hot 100. [10] The dance mix edit of "Angel" is the B-side of the 7-inch single that did chart the Hot 100. [11] "
Ken Cayre, the head of Salsoul Records, decided to sign a number of famous musicians and bands to the label, hoping to "consolidate the success of the faceless Salsoul Orchestra", and Double Exposure was chosen as the newly signed band whose first release, "Ten Percent," would feature the orchestra and be promoted with a 12-inch single as well as the typical seven-inch format. [6]
Newcleus was an American electro and old school hip hop group that gained popularity in the early 1980s. The group is primarily known for its 12-inch single "Jam-On's Revenge" (re-released as "Jam on Revenge (The Wikki-Wikki Song)" (1983)) and "Jam on It" (1984).
Although signed to the Eric's Records label, their only release, a three-track 7-inch EP entitled Birth of a Nation, appeared in March 1980 on Inevitable Records. A 12-inch single featuring two of the tracks from the EP, "Black Leather" and "Shangri-La", was released in 1985. [13]
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The Twelve Inch Singles is a compilation album by Soft Cell. The original 1982 release was as a vinyl box set containing the group's first six twelve inch single releases, along with an 8-page booklet. It was rereleased as an expanded three compact disc set in 1999, with a slightly revised version reissued in 2001
"Vienna" is a song by British new wave band Ultravox, released on 9 January 1981 by Chrysalis Records [4] as the third single and the title track from their fourth studio ...
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