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The song was written in 1943 [2] [3] [4] for the film Meet Me in St. Louis, for which MGM had hired Martin and Blane to write several songs. [4] Martin was vacationing in a house in the neighborhood of Southside in Birmingham, Alabama, that his father Hugh Martin had designed for his mother as a honeymoon cottage, located just down the street from his birthplace, and which later became the ...
Garland’s Esther tries to comfort her little sister, Margaret O'Brien’s Tootie, and sings “Have Yourself a Merry Little Christmas.” Getty Judy Garland in 'Meet Me in St. Louis.'
Little Christmas (Irish: Nollaig na mBan, lit. 'Women's Christmas'), also known as Old Christmas, Green Christmas, or Twelfth Night, [1] is one of the traditional names among Irish Christians and the Amish for 6 January, which is also known more widely as the Feast of the Epiphany, celebrated after the conclusion of the twelve days of Christmastide.
The additional tracks were odd songs Vandross had recorded for other Christmas releases, with "The Christmas Song" being previously released on A Very Special Christmas 2 (1992), "Have Yourself a Merry Little Christmas," a live duet with Chaka Khan, being a recording from the 1998 Soul Train Christmas Starfest and "May Christmas Bring You ...
There are a million covers of "Have Yourself a Merry Little Christmas," but Judy Garland knocked it out of the park in the original from Meet Me In St. Louis. Related: Religious Christmas Songs 11.
Four years later, at the age of 13, she became the first artist to record a little song called "Rockin' Around the Christmas Tree." See the original post on Youtube Akim and the Teddy Vann ...
Have Yourself a Merry Little Christmas" is a 1943 song written by Hugh Martin and Ralph Blane. Have Yourself a Merry Little Christmas may also refer to: Have Yourself a Merry Little Christmas, by Kurt Nilsen, 2010; Have Yourself a Merry Little Christmas, by Diana Krall, 1998
A Merry Little Christmas is a Christmas album by American singer/songwriter/producer Linda Ronstadt, released in 2000.It was the final release under Ronstadt's recording contract with the Elektra/Asylum Records label for whom Linda had recorded since 1973 (twenty-seven years to that point).