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Saturn (1636) by Rubens. Saturn or Saturn Devouring His Son is a 1636 painting by the Flemish artist Peter Paul Rubens, now in the Museo del Prado, in Madrid. [1]It was commissioned for the Torre de la Parada by Philip IV of Spain and shows the influence of Michelangelo on Rubens, which he had picked up on his journey to Italy.
Saturn Devouring His Son is a painting by Spanish artist Francisco Goya. It is traditionally considered a depiction of the Greek myth of the Titan Cronus , whom the Romans called Saturn , eating one of his children out of fear of a prophecy by Gaea that one of his children would overthrow him.
There has been debate about the extent to which Goya was influenced by Rubens. Goya's Saturn Devouring His Son, c. 1819–1823 suggests a familiarity with Rubens' 1636 version in the Prado. Kenneth Clark considered The Second of May 1808 an "artistic failure ... perhaps he could not shake off the memory of similar compositions by Rubens". [2]
Hera's face is modelled on Rubens' wife, Hélène Fourment. [1] The carriage is pulled by peacocks, [ 3 ] a bird which the ancient Greeks and Romans considered sacred to both themselves and to Hera/Juno, as a result of their ability to signal changes in weather through cries and hence their perceived connection to the gods.
La maja vestida, c. 1803.Museo del Prado, Madrid. Although the two versions of the Maja are the same size, the sitter in the clothed version occupies a slightly larger proportion of the pictorial space; according to art historian Janis Tomlinson she seems almost to "press boldly against the confines of her frame", making her more brazen in comparison to the comparatively "timid" nude portrait.
Saturn Devouring His Son, one of the Black Paintings by Goya (1819–1823). A series of parallel themes also exist in Disasters of War and the eponymous unnumbered print The Giant or Colossus, dating from between 1814 and 1818, [4] which shows a giant seated in a dark and desolate landscape with a crescent moon in the top corner. However, the ...
Paul Reubens was world famous for his role as Pee-wee Herman. To his friends, he was renowned for his thoughtful birthday wishes. As Reubens' longtime pals, colleagues and fans grappled with the ...
Rubens painted the allegorical female figures, accompanied by a putto or a winged Cupid in Sight, Hearing, Smell, and Touch, and by a satyr in Taste.Brueghel created the sumptuous settings, which evoke the splendour of the court of Albert VII, Archduke of Austria, and his wife Isabella, governors of the Spanish Netherlands, to which the two artists were attached. [1]