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  2. Seated Nude (1918) - Wikipedia

    en.wikipedia.org/wiki/Seated_Nude_(1918)

    The painting combines classic elements and abstract way of painting. [2] Seated Nude is painted in a modern style characterized by elongation ... Tobu Museum of Art ...

  3. Abstraction (art) - Wikipedia

    en.wikipedia.org/wiki/Abstraction_(art)

    In the 20th century the trend toward abstraction coincided with advances in science, technology, and changes in urban life, eventually reflecting an interest in psychoanalytic theory. [2] Later still, abstraction was manifest in more purely formal terms, such as color, freedom from objective context, and a reduction of form to basic geometric ...

  4. Abstract art - Wikipedia

    en.wikipedia.org/wiki/Abstract_art

    Abstract art uses visual language of shape, form, color and line to create a composition which may exist with a degree of independence from visual references in the world. [1] Abstract art, non-figurative art, non-objective art, and non-representational art are all closely related terms. They have similar, but perhaps not identical, meanings.

  5. Windows (Delaunay series) - Wikipedia

    en.wikipedia.org/wiki/Windows_(Delaunay_series)

    Windows is a series of paintings created between 1912 and 1913 by the French painter Robert Delaunay. The paintings are oil and wax on canvas, and they mark Delaunay's turn towards abstraction and interest in color. The fragmented compositions of colored shapes are prime examples of Delaunay's use of simultaneous contrast.

  6. Women in Abstraction - Wikipedia

    en.wikipedia.org/wiki/Women_in_Abstraction

    Women in Abstraction. Another History of Abstraction in the 20th Century or Elles font l'abstraction. Une autre histoire de l'abstraction au XXe siècle was a major exhibition of 20th century abstract art created by women. [ 1 ]

  7. Post-painterly abstraction - Wikipedia

    en.wikipedia.org/wiki/Post-painterly_Abstraction

    Post-painterly abstraction is a term created by art critic Clement Greenberg [1] as the title for an exhibit he curated for the Los Angeles County Museum of Art in 1964, which subsequently travelled to the Walker Art Center and the Art Gallery of Toronto.

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