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Las Damas Romanas (literally, "The Roman Dames"), also known as The Roman Maidens, The Roman Women, [1] or The Roman Ladies, [2] [3] is an oil on canvas painted in the style of Neo-Classicism by Juan Luna, one of the most famous Filipino painters of the Spanish period in the Philippines. [4]
When he returned to the Philippines in 1928, he saw that the state of art was "practically dead." Paintings he saw dealt with similar themes and were done in a limited technique that mostly followed the works of Fernando Amorsolo , the first Philippine national artist and the most popular painter of the time.
He also created albums of illustrations of native costumes. This he did primarily to sell to collectors. Such skills made Domingo one of the most famous and sought-after artists of his time in the Philippines. Domingo is regarded highly in the history of Filipino art and is credited with establishing academic courses in art in the Philippines. [2]
Portraits included self-portraits, Filipino jewelry, and native furniture. Landscape paintings depicted ordinary Filipinos participating in daily life. The paintings, often ornately signed, were made on canvas, wood, and a variety of metals. [228] Watercolours were painted in the Tipos del País [231] or Letras y figuras style. [232]
Félix Resurrección Hidalgo y Padilla (February 21, 1855 – March 13, 1913) was a Filipino artist. He is acknowledged as one of the greatest Filipino painters of the late 19th century, and is significant in Philippine history for having been an acquaintance and inspiration for members of the Philippine reform movement which included José Rizal, Marcelo del Pilar, Mariano Ponce, and Graciano ...
It is currently displayed in the main gallery at the first floor of the National Museum of Fine Arts in Manila, and is the first work of art that greets visitors upon entry into the museum. The National Museum considers it the largest painting in the Philippines with dimensions of 4.22 meters x 7.675 meters. [3]
Fernando Amorsolo y Cueto (May 30, 1892 – April 24, 1972) was a portraitist and painter of rural Philippine landscapes. Nicknamed the "Grand Old Man of Philippine Art," [2] he was the first-ever to be recognized as a National Artist of the Philippines. [3]
Juan Luna de San Pedro y Novicio Ancheta (Spanish: [ˈxwan ˈluna], Tagalog: [hwɐn ˈluna]; October 23, 1857 – December 7, 1899) was a Filipino painter, sculptor and a political activist of the Philippine Revolution during the late 19th century.