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Jason Statham (/ ˈ s t eɪ θ əm / STAY-thəm; born 26 July 1967) is an English actor and producer. He is known for portraying tough, gritty, or violent characters in various action thriller films, and has been credited for leading the resurgence of action films during the 2000s and 2010s. [ 1 ]
The on-campus biosciences and health research facility is used by researchers from UPEI, National Research Council (Canada), and Agriculture and Agri-Foods Canada. [11] UPEI houses the L.M. Montgomery Institute, founded in 1993, which promotes scholarly inquiry into the life, works, culture, and influence of the Canadian writer, L.M. Montgomery ...
Retrieved from "https://en.wikipedia.org/w/index.php?title=Jason_Statham_filmography&oldid=568813019"
Articulated Programs: An integrated Dietetic Internship Program and the Applied B.Sc. in Radiography are offered jointly by UPEI and Queen Elizabeth Hospital. Students study at UPEI for one year then spend their second and third years of study at the hospital, then return to the university for their final year.
The project changed into a film that was up for sale at the 2023 American Film Market, where the film was first announced to have David Ayer attached to direct and Jason Statham to star. [3] In January 2024, Metro-Goldwyn-Mayer acquired U.S. distribution rights to the film from Black Bear International , who sold the film to independent ...
In the Name of the King: A Dungeon Siege Tale (also known as Dungeon Siege: In the Name of the King, or simply In the Name of the King), is a 2007 German-American action-fantasy film directed by Uwe Boll and starring Jason Statham, Claire Forlani, Leelee Sobieski, John Rhys-Davies, Ron Perlman and Ray Liotta.
It is the first installment in the Transporter franchise and stars Jason Statham in the title role, alongside Shu Qi, François Berléand and Matt Schulze. In the film, Frank Martin , a British mercenary driver living in France , finds himself involved in a human trafficking plot.
In April 2018, Jason Statham said a sequel to The Meg (2018) would happen if the film did well with the public, saying: "I think it's like anything in this day and age – if it makes money, there's obviously an appetite to make more money. And if it doesn't do well, they'll soon sweep it under the carpet--but that's the way Hollywood works."