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In adjustable shelving systems, the bracket may be in two parts, with the load-bearing horizontal support fitting into a wall-mounted slotted vertical metal strip. Brackets also are an element in the systems used to mount modern facade cladding systems onto the outside of contemporary buildings, as well as interior panels.
In architecture, a corbel is a structural piece of stone, wood or metal jutting from a wall to carry a superincumbent weight, [1] a type of bracket. [2] A corbel is a solid piece of material in the wall, whereas a console is a piece applied to the structure. A piece of timber projecting in the same way was called a "tassel" or a "bragger" in ...
The interior of the house reflects the Eastlake style in the mantel spindles, the ornate tile work surrounding the two fireplaces, 12-foot second story coved ceilings and other details. The wall cladding in the main house is a horizontal shiplap with vertical lapboard.
A soffit is an exterior architectural feature, generally the horizontal, aloft underside of the roof edge. Its archetypal form, sometimes incorporating or implying the projection of rafters or trusses over the exterior of supporting walls, is the underside of eaves (to connect a supporting wall to projecting edge(s) of the roof ).
While this house can still be described as Regency, its informal asymmetrical plan together with its loggias and balconies of both stone and wrought iron; tower and low pitched roof clearly are very similar to the fully Italianate design of Cronkhill, [10] the house generally considered to be the first example of the Italianate style in Britain.
The Decoration of Houses, a manual of interior design written by Edith Wharton with architect Ogden Codman, was first published in 1897. In the book, the authors denounce Victorian-style interior decoration and interior design, especially rooms decorated with heavy window curtains, Victorian bric-a-brac and overstuffed furniture. They argue ...
The cast iron brackets on these three houses have been seen in the catalogue of Walter Macfarlane's Saracen Foundry in Glasgow, and were perhaps imported. [105] An unusual example of the Melbourne-style is Albert Terrace , Adelaide (c.1880) which is one of the few South Australian terrace rows to feature a Melbourne-style parapet with name and ...
The house in Alfred Hitchcock's Psycho was also in the Second Empire style, as was the decaying house in Frank Capra's It's a Wonderful Life. There were positive representations as well, however: the nostalgic film Meet Me in St. Louis features a large Second Empire mansion beloved by the family.
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