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The manuscript is dated 5 January 1791. However, Alan Tyson's analysis of the paper on which Mozart composed the work indicated that Mozart used this paper between December 1788 and February 1789, which implies composition well before 1791. Simon Keefe has written that the composition of the work dates from 1788. [1]
The Piano Concerto No. 15 in B ♭ major, KV. 450 is a concertante work for piano and orchestra by Wolfgang Amadeus Mozart.The concerto is scored for solo piano, flute (third movement only), two oboes, two bassoons, two horns, and strings.
Mozart left a huge production of dances for orchestra in different genres, including more than 100 minuets, over 30 contra dances, over 50 allemandes (Teitsch, Ländler, or German Dances), a gavotte (French folk dance) and ballet and pantomime music. In his production of minuets, Mozart generally followed Haydn's example, preferring the slow ...
probably WA Mozart himself: 1782 232: 509a "Lieber Freistädtler, lieber Gaulimauli" Canon for 4 voices: probably WA Mozart himself: after 4 June 1787 233: 382d "Leck mir den Arsch fein recht schön sauber" / "Nichts labt mich mehr als Wein" – Canon for 3 voices: probably WA Mozart himself: 1782 234: 382e "Bei der Hitz im Sommer eß ich"
It is not known when Mozart completed his Concerto for Two Pianos and Orchestra in E-flat major, K. 365/316a, but research by Alan Tyson shows that cadenzas for the first and third movements are written in his and his father's handwriting on a type of paper used between August 1775 and January 1777.
12 Variations in E♭ major on the Romance "Je suis Lindor" from "Le Barbier de Seville" by Pierre Beaumarchais, music by Antoine-Laurent Baudron, K. 354 (Paris, 1778) 6 Variations in F major on the aria "Salve tu, Domine" from the opera "I filosofi immaginarii" by Giovanni Paisiello , K. 398 (Vienna, 1783)
Martha Kingdon Ward has commented that the slow movement of this concerto contains one of the "most tranquil" of Mozart's flute solos, specifically in the G-major variation. [3] M. S. Cole has noted Mozart's use of meter changes in the finale, starting at measure 171, from 6 8 to 2 4 in the winds, with the piano following at measure 179.
List of compositions by Wolfgang Amadeus Mozart; List of solo piano compositions by Wolfgang Amadeus Mozart; List of concert arias, songs and canons by Wolfgang Amadeus Mozart; Köchel catalogue; Mozart symphonies of spurious or doubtful authenticity; The Complete Mozart Edition; Fantasia No. 4 (Mozart)