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His fame lies in images from the industrial districts in the northwest of England from the mid-1900s. He developed a painting style of cityscapes with people, often described as "matchstick men". He also painted mysterious unpopulated landscapes and discordant portraits.
Laurence Stephen Lowry RBA RA (/ ˈ l aʊ r i / LAO-ree; 1 November 1887 – 23 February 1976) was an English artist.His drawings and paintings mainly depict Pendlebury, Greater Manchester (where he lived and worked for more than 40 years) as well as Salford and its vicinity.
A painting by L. S. Lowry including his characteristic "matchstick men".. The song reached number seven on the UK Singles Chart, number eight in Canada, and number 12 on the US Billboard Hot 100, becoming their only top-40 single in the United States.
The chorus makes reference to Lowry's style of painting human figures, which was similar to stick figure drawings (a "matchstalk" is a matchstick in the Salford dialect). [6] For the song, Michael Coleman drew on his own memories of Salford and Ancoats as well as the paintings of Lowry. The song lyrics make reference to Lowry's painted scenes ...
Going to Work is a 1943 oil painting by the English artist L. S. Lowry. Originally commissioned as a piece of war art by the War Artists Advisory Committee, it depicts crowds of workers walking into the Mather & Platt engineering equipment factory in Manchester, north-west England. The painting now hangs in the Imperial War Museum North. [1]
L. S. Lowry's 1928 painting Going to the Match (oil on canvas, 42.5 × 53.3cm) [2] depicts a crowd of rugby league fans walking right to left across the canvas to a rugby match. The goal posts of the rugby pitch can be seen in the background to the left, and behind the crowd are industrial buildings, a smoking factory chimney and a church.
Industrial Landscape is the title given to each of a series of oil paintings by the English artist L. S. Lowry, painted over a number of years between 1934 and 1955.. Each picture is in the form of a landscape painting, in which the traditional elements of natural beauty have been supplanted with factories, chimneys, bridges and other elements of an industrial city environment.
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