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Religious art is a visual representation of religious ideologies and their relationship with humans. ... music strives to create and reflect harmony in the world ...
Catholic art has played a leading role in the history and development of Western art since at least the 4th century. The principal subject matter of Catholic art has been the life and times of Jesus Christ, along with people associated with him, including his disciples, the saints, and motifs from the Catholic Bible.
Critical theory – examination and critique of society and culture, drawing from knowledge across the social sciences and humanities. Visual arts – art forms that create works which are primarily visual in nature. Architecture – The art and science of designing and erecting buildings and other physical structures.
A strong relationship between the arts and politics, particularly between various kinds of art and power, occurs across historical epochs and cultures.As they respond to contemporaneous events and politics, the arts take on political as well as social dimensions, becoming themselves a focus of controversy and even a force of political as well as social change.
One of the central problems in the anthropology of art concerns the universality of 'art' as a cultural phenomenon. Several anthropologists have noted that the Western categories of 'painting', 'sculpture', or 'literature', conceived as independent artistic activities, do not exist, or exist in a significantly different form, in most non-Western contexts. [9]
Egypt's art was religious and symbolic. Given that the culture had a highly centralized power structure and hierarchy, a great deal of art was created to honour the pharaoh, including great monuments. Egyptian art and culture emphasized the religious concept of immortality. Later Egyptian art includes Coptic and Byzantine art.
The Society for the Arts, Religion, and Contemporary Culture, or ARC, was founded in October 1961 by three people: Alfred Barr, the art critic and founder of the Museum of Modern Art, the theologian Paul Tillich, and Marvin Halverson, an American Protestant theologian sometime of the Chicago Theological Seminary and the author of a 1951 booklet, Great Religious Paintings. [1]
Religious values are usually based on values reflected within religious texts or by the influence of the lives of religious persons. [1]Known as the ‘Indigenous Religious Values Hypothesis’, the origin of religious values can be seen as the product of the values held by the society in which the religion originated from. [1]