Search results
Results from the WOW.Com Content Network
Pages in category "Paintings of Abraham" The following 10 pages are in this category, out of 10 total. This list may not reflect recent changes. A.
Portrait of Hugo Tilghman [The Tennis Player] (1924), oil on cardboard, 1,360 × 1,200 mm (53.5 x 47.2 in), Museo Nacional de Arte. Abraham Ángel Card Valdés (March 7, 1905 – October 27, 1924) was a Mexican artist known under his given names Abraham Ángel; he dropped his surnames after his brother Adolfo expelled him from his family home when Abraham Ángel was barely 16.
Abraham Lincoln: The Man; Angel of Independence; Ariadna abandonada; Beethoven Monument; Benito Juárez Hemicycle; Bust of Albert Einstein; Bust of Cuauhtémoc; Bust of Pedro Domingo Murillo; Dolor; Diana the Huntress Fountain, Paseo de la Reforma; El Ángel de la Seguridad Social; El Caballito; El Sereno; Equestrian statue of Charles IV of Spain
Ignacio Maria Barreda, single canvas casta painting 1777; Miguel Cabrera (ca 1695–1768) [4] José del Castillo (active in the last third of the 18th century) [4] Juan Correa (ca 1645–1716) [4] Nicolás Correa (ca 1660-ca 1729) [4] Baltasar de Echave Ibía (1585/1605 – 1644) [4] Baltasar de Echave y Rioja (1632–1682) [4]
Votive painting dedicated to Our Lady of San Juan de los Lagos 1911 painting; the man survived an attack by a bull.. Votive paintings in Mexico go by several names in Spanish such as “ex voto,” “retablo” or “lámina,” which refer to their purpose, place often found, or material from which they are traditionally made respectively.
Paintings of Mexico City sites appeared beginning in the seventeenth century, most famously a painting by Cristóbal de Villalpando of the Plaza Mayor in Mexico City, ca. 1696, showing the damage to the viceregal palace from the 1692 corn riot. It also shows the Parián market, where luxury goods were sold.
Abraham and the Three Angels is a c. 1670-1674 oil on canvas painting by Bartolomé Esteban Murillo, now in the National Gallery of Canada in Ottawa, which bought it in 1948. [ 1 ] The work is one of eight paintings commissioned for Seville 's Hermandad de la Caridad , to which the artist himself belonged and one of whose commandments was to ...
This Mural [6] is situated above the mouth to the south grotto, and portrays what is most likely a ruler seated upon a throne similar to La Venta's Altar 4 or 5.The eyes of a primal cave monster, showing Olmec iconic crossed-bars, can be seen on the top edge of the throne (note that the ruler is also wearing a crossed-bars pectoral, perhaps linking him directly with the monster).