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Giovanni Battista Gaulli (8 May 1639 – 2 April 1709), also known as Baciccio or Baciccia (Genoese nicknames for Giovanni Battista), was an Italian Baroque painter working in the High Baroque and early Rococo periods. He is best known for his grand illusionistic vault frescos in the Church of the Gesù in Rome.
Bernini is responsible for not only obtaining the commission for Gaulli, but also for inspiring some of the designs. [4] If not for Bernini's illusionistic merging of architecture and sculpture, in the Ecstasy of Saint Teresa at the Cornaro Chapel in Santa Maria della Vittoria, Gaulli's ceiling fresco may have turned out quite differently. [5]
The stucco reliefs were executed by Ercole Antonio Raggi and Leonardo Reti, following the drawings of Baciccia who wanted to effect a real continuity between painting and sculpture. Illusionism in art history means either the artistic tradition in which artists create a work of art that appears to share the physical space with the viewer [1] or ...
Giovanni Battista Monti (1657) Giovanni Battista Gaulli (1639–1709) Giovanni Battista Carlone (1653–1655) Alessandro Magnasco (1667–1749) Domenico Fiasella (1589–1669) Luca Cambiaso (1527–1585) Pierre Puget (1622–1694) Valerio Castello (1624–1659) Giovanni Andrea De Ferrari (1598–1669) Orazio De Ferrari (1606–1657) Gregorio De ...
The ceiling of the apse is adorned by the painting Glory of the Mystical Lamb by Baciccia (Giovanni Battista Gaulli). [10] The most striking feature of the interior decoration is the ceiling fresco, the grandiose Triumph of the Name of Jesus (1678-1679) [11] by Giovanni Battista Gaulli. Gaulli also frescoed the cupola, including lantern and ...
The sculpture was unveiled in central London on Wednesday. For premium support please call: 800-290-4726 more ways to reach us
Sant'Antonio: church with frescoes by Bartolommeo and Giovanni Battista Caporali, rises at the end of a narrow street, Via Mastro Giorgio. Madonna del Divino Amore on Piazza Cavour. Madonna delle Piagge church along the Tiberina road, at the foot of the old town, yet another church, clad in a colorful array of ceramic tiles.
Martino Altomonte (Johann Martin Hohenberg) was born in a family of painters. Hohenberg's father was born in the Tyrol and emigrated to Naples. [1] At the age of 15 he was apprenticed to Giovanni Battista Gaulli in Rome.
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