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Paramount did not use anamorphic processes such as CinemaScope but refined the quality of its flat widescreen system by orienting the 35 mm negative horizontally in the camera gate and shooting onto a larger area, which yielded a finer-grained projection print. As finer-grained film stocks appeared on the market, VistaVision became obsolete.
The Widelux is a fully mechanical swing-lens panoramic camera first developed in Japan in 1958, [2] by Panon Camera Shoko. There are both 35mm and medium-format models. Instead of a shutter, the camera has a slit that exposes the film as the lens pivots on a horizontal arc. This pivot allows for some distortion effects not available with ...
A Stereo Realist camera. The Stereo Realist is a stereo camera that was manufactured by the David White Company from 1947 to 1971. It was the most popular 35 mm stereo camera ever manufactured [1] and started the era of popular stereo photography of the mid 20th century.
The Millennium DXL is the first camera to capture 4K anamorphic at 21 megapixels. With the 8K HDR sensor, this camera is optimized for Panavision large format lenses, including the Sphero 65, System 65, Super Panavision 70, Ultra Panavision 70, and the new Primo 70 and Primo Artiste (2017) wirelessly motorized lenses. Millenium Digital XL2 (2018)
Techniscope employs standard 35 mm camera films, which are suitable for 2-perf (Techniscope), 3-perf, conventional 4-perf (spherical or CinemaScope), and even 6-perf and 8-perf (VistaVision), as all of those processes listed employ the same negative and intermediate films, and positive print films intended for direct projection (although 2-, 3- and 8-perfs are not distribution formats).
The second Prominent (stylized with small caps as ProminenT) was a line of 35mm interchangeable lens cameras built after World War II in the 1950s, equipped with leaf shutters. The second line of Prominent cameras were marketed as professional system cameras against the Leica threadmount and M bayonet mount and Zeiss Ikon Contax rangefinder ...
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