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"The Quick and the Dead" has the heart of a classic Western, but revamped for modern audiences with snappier taste." [42] Film critic Adrian Martin remarked, "Sam Raimi's The Quick and the Dead is a feminist Western starring a gun-toting Sharon Stone. [There is] a terrific scene where Lady goes berserk and challenges a guy who has just sexually ...
This sub-genre includes the post-Western, neo-Western, and urban Western genres that include "the cowboy cult" in a modern setting that involves the audience's feelings and understanding of Western movies. [1] A neo-Western can be said to use Western themes set in the present day.
Outlaw Women is a 1952 American Western film directed by Sam Newfield and Ron Ormond and starring Marie Windsor, Richard Rober and Carla Balenda. [2] It is set in a remote small town run entirely by women. [3] The film was made in Cinecolor and released by the low-budget specialist Lippert Pictures.
Django (/ ˈ dʒ æ ŋ ɡ oʊ / JANG-goh) [5] is a 1966 spaghetti Western film directed and co-written by Sergio Corbucci, starring Franco Nero (in his breakthrough role) as the title character alongside Loredana Nusciak, José Bódalo, Ángel Álvarez, and Eduardo Fajardo. [6]
The Dalton Girls is a 1957 American Western film directed by Reginald Le Borg and starring Merry Anders, Lisa Davis, Penny Edwards, Sue George and John Russell. [ 1 ] [ 2 ] [ 3 ] Plot
Bad Girls is a 1994 American Western film directed by Jonathan Kaplan, and written by Ken Friedman and Yolande Turner. It stars Madeleine Stowe , Mary Stuart Masterson , Andie MacDowell and Drew Barrymore .
Rustlers' Rhapsody is a 1985 American comedy–Western film. It is a parody of many Western conventions, most visibly of the singing cowboy films that were prominent in the 1930s and the 1940s. The film was written and directed by Hugh Wilson, who was supposedly inspired by working at CBS Studio Center, the former Republic Pictures backlot.
Barbarella was later called a cult film. [72] [73] Author Jerry Lembcke noted the film's popularity; it was available in small video stores, and was familiar beyond the film buff community. According to Lembcke, any "doubt about its cult status was dispelled when Entertainment Weekly ranked it