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  2. At the Races in the Countryside - Wikipedia

    en.wikipedia.org/wiki/At_the_Races_in_the...

    At the Races in the Countryside or Carriage at the Races is an 1869 oil painting by the French painter Edgar Degas. The painting, which depicts a scene of a family in a horse-drawn carriage in the countryside, is on display at the Museum of Fine Arts Boston. [1] The painting was shown at the First Impressionist Exhibition in 1874. [2]

  3. Overo - Wikipedia

    en.wikipedia.org/wiki/Overo

    The frame overo pattern is the most common of the three types of overo patterns recognized in the American Paint Horse breed. [1] A frame overo horse appears to be any solid base color (bay, black, chestnut, etc.) with white irregular patches added, usually with a horizontal orientation.

  4. Zapata (lithograph) - Wikipedia

    en.wikipedia.org/wiki/Zapata_(lithograph)

    Zapata (1932) is a lithograph by the Mexican artist Diego Rivera (1886–1957) that depicts the Mexican revolutionary Emiliano Zapata (1879–1919) as he holds the reins of a horse among a group of campesinos (peasants).

  5. Category:Horses in art - Wikipedia

    en.wikipedia.org/wiki/Category:Horses_in_art

    Battle of Orsha (painting) The Battle of San Romano; The Battle of Taillebourg, 21 July 1242; The Battle of the Amazons (Rubens) Before the Race; The Bewitched Man; Big Rocking Horse; The Black Brunswicker; Black Horses (Grandma Moses) Blackie (American horse) Blessed Be the Host of the King of Heaven; The Blind Girl; Blue Horse I; Blue Horses ...

  6. Horses in art - Wikipedia

    en.wikipedia.org/wiki/Horses_in_art

    The horse appears less frequently in modern art, partly because the horse is no longer significant either as a mode of transportation or as an implement of war. Most modern representations are of famous contemporary horses, artwork associated with horse racing, or artwork associated with the historic cowboy or Native American tradition of the ...

  7. 1807, Friedland - Wikipedia

    en.wikipedia.org/wiki/1807,_Friedland

    Meissonier worked in the painting for fourteen years, from 1861 to 1875. He started by painting the sky and made separate studies for each horse and man, using, among others, wax models. The one used to paint the hussar visible in the front, on the left side of the painting, has survived.

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