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The first part of this chapter, Matthew 6:1–18, deals with the outward and inward expression of piety, referring to almsgiving, private prayer and fasting. [2] New Testament scholar Dale Allison suggests that this section acts as "a sort of commentary" on Matthew 5:21-48, or a short "cult-didache": Matthew 5:21-48 details "what to do", whereas Matthew 6:1-18 teaches "how to do it". [3]
Matthew 6:18 is the eighteenth verse of the sixth chapter of the Gospel of Matthew in the New Testament and is part of the Sermon on the Mount.
Matthew 6:9 is the ninth verse of the sixth chapter of the Gospel of Matthew in the New Testament and is part of the Sermon on the Mount. This verse is the opening of the Lord's Prayer , one of the best known parts of the entire New Testament.
Chapter 18 of the Gospel of Matthew contains the fourth of the five Discourses of Matthew, also called the Discourse on the Church or the ecclesiastical discourse. [1] [2] It compares "the greatest in the Kingdom of Heaven" to a child, and also includes the parables of the lost sheep and the unforgiving servant, the second of which also refers to the Kingdom of Heaven.
Matthew 1 is the first chapter of the Gospel of Matthew in the New Testament. It contains two distinct sections. The first lists the genealogy of Jesus from Abraham to his legal father Joseph, husband of Mary, his mother. The second part, beginning at verse 18, provides an account of the virgin birth of Jesus Christ.
'Nine Saints'), also transcribed as Wali Sanga, are revered saints of Islam in Indonesia, especially on the island of Java, because of their historic role in the spread of Islam in Indonesia. The word wali is Arabic for "trusted one" or "friend of God" ("saint" in this context), while the word sanga is Javanese for the number nine.
Yahudi Ki Ladki film was the debut of Pankaj Mullick. [4] [5] Saigal’s rendition of Ghalib’s ghazal "Nuktacheen Hai Ghame Dil" is considered a classic performance. Sung under the direction of Pankaj Mullick who composed it in Raag Bhimpalasi, the only instruments used were the tabla and harmonium. [6]
"Beeswin Sadi Ke" Anu Malik Hasrat Jaipuri Amit Kumar Maang Saja Di Meri: 63 "Shaadi Kara Do Meri" Laxmikant-Pyarelal Anjaan Suresh Wadkar Naseeb Ki Baat: 64 "Gori Pareshan" Shankar–Jaikishan Dilraj Kaur, Chandrani Mukherjee Purana Mandir: 65 "Hum Jis Pe Marte The" Ajit Singh Amit Khanna solo Raaj Tilak: 66 "Aa Gaye Ek Nahi Do Nahi Nahi Te"