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F-sharp minor is sometimes used as the parallel minor of G-flat major, especially since G-flat major's real parallel minor, G-flat minor, would have nine flats including two double-flats. For example, in the middle section of his seventh Humoresque in G-flat major , Antonín Dvořák switches from G-flat major to F-sharp minor for the middle ...
Famous pieces in the key of F minor include Beethoven's Appassionata Sonata, Chopin's Piano Concerto No. 2, Ballade No. 4, Haydn's Symphony No. 49, La Passione and Tchaikovsky’s Symphony No. 4. Glenn Gould once said if he could be any key, he would be F minor, because "it's rather dour, halfway between complex and stable, between upright and ...
Piano Concerto No. 1 (Rachmaninoff) Piano Sonata in F-sharp minor (Stravinsky) Piano Sonata in F-sharp minor, D 571 (Schubert) Piano Sonata No. 1 (Enescu) Piano Sonata No. 1 (Schumann) Piano Sonata No. 2 (Brahms) Piano Sonata No. 3 (Scriabin) Piano Sonata No. 5 (Hummel) Piano Trio No. 40 (Haydn) Polonaise in F-sharp minor, Op. 44 (Chopin)
Relative tonic chords on C and A (Play ⓘ). Chromatic modulation in Bach's Du grosser Schmerzensmann, BWV 300, m. 5-6 (Play ⓘ with half cadence, Play ⓘ with PAC) transitions from FM to its relative minor dm through the inflection of C ♮ to C ♯ between the second and third chords. This modulation does not require a change of key signature.
F-sharp major is the key of the minuets in Haydn's "Farewell" Symphony and of the String Quartet No. 5 from his Op. 76, of Beethoven's Piano Sonata No. 24, Op. 78, Verdi's "Va, pensiero" from Nabucco, Mahler's unfinished Tenth Symphony, Korngold's Symphony Op. 40, and Scriabin's Fourth Piano Sonata.
In a minor key, the closely related keys are the parallel major, mediant or relative major, the subdominant, the minor dominant, the submediant, and the subtonic.In the key of A minor, when we translate them to keys, we get:
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