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Urdu poetry (Urdu: اُردُو شاعرى Urdū šāʿirī) is a tradition of poetry and has many different forms. Today, it is an important part of the culture of India and Pakistan . According to Naseer Turabi, there are five major poets of Urdu: Mir Taqi Mir (d. 1810), Mirza Ghalib (d. 1869), Mir Anees (d. 1874), Muhammad Iqbal (d. 1938 ...
Examples of shayari are ghazal, sher, nazm, marsiya, qita and many more. [6] Traditionally, that this form of poetry is often read to an audience in a special setting called mehfil . Although there are many professional shayars , who write shayari [ 7 ] for their livelihood, it is an immensely popular form of poetry for younger generation.
A shayar can use the maqta ' in a variety of interesting ways. He can "talk to himself", "to somebody else", "refer to something" etc. For example Firaq Gorakhpuri, whose takhallus is the word for the common theme in Urdu poetry of the state of pining for the beloved, plays on his pen name and the word firaq: Urdu:
Zauq was a prominent contemporary of Ghalib and in the history of Urdu poetry the rivalry of the two poets is quite well known. During his lifetime Zauq was more popular than Ghalib for the critical values in those days were mainly confined to judging a piece of poetry on the basis of usage of words, phrases and idioms. Content and style were ...
Ghulam Hamdani Mushafi, the poet first believed to have coined the name "Urdu" around 1780 AD for a language that went by a multiplicity of names before his time. [1] Mirza Muhammad Rafi, Sauda (1713–1780) Siraj Aurangabadi, Siraj (1715–1763) Mohammad Meer Soz Dehlvi, Soz (1720-1799) Khwaja Mir Dard, Dard (1721–1785)
Urdu is taught as a compulsory subject up to higher secondary school in both English and Urdu medium school systems, which has produced millions of second-language Urdu speakers among people whose native language is one of the other languages of Pakistan – which in turn has led to the absorption of vocabulary from various regional Pakistani ...
Bait Bazi (Urdu: بیت بازی) is a verbal game and a genre of Urdu poetry played by composing verses of Urdu poems. The game is common among Urdu speakers in Pakistan and India . It is similar to Antakshari , the Sistanian Baas-o-Beyt , the Malayalam Aksharaslokam and, more generally, the British Crambo .
Hafeez Jalandhari was unique in Urdu poetry for the enchanting melody of his voice and lilting rhythms of his songs and lyrics. His poetry generally dealt with romantic, religious, patriotic and natural themes. His language was a fine blend of Hindi and Urdu diction, reflecting the composite culture of South Asia. [3]