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The Greco-Buddhist art of Gandhara essentially ends with the 5th-7th centuries. A late evolution is the appearance of a halo and mandorla surrounding the Buddha figure. [38] The last stages correspond roughly to the destruction of the Alchon Huns, when the art of Gandhara, becomes essentially
Early Mahayana Buddhist triad. From left to right, a Kushan devotee, Maitreya, the Buddha, Avalokitesvara, and a Buddhist monk. 2nd–3rd century, Gandhara Evolution of the Butkara stupa. Because the region was at a cultural crossroads, the art of the Gandhāran Buddhists was a fusion of Greco-Roman, Iranian and Indian styles. [4]
The Seated Buddha from Gandhara is an early surviving statue of the Buddha discovered at the site of Jamal Garhi in ancient Gandhara in modern-day Pakistan, that dates to the 2nd or 3rd century AD during the Kushan Empire. Statues of the "enlightened one" were not made until the 1st century CE.
During the 2nd to 1st century BCE in far northern India, in the Greco-Buddhist art of Gandhara from what is now southern Afghanistan and northern Pakistan, sculptures became more explicit, representing episodes of the Buddha's life and teachings.
The art of Gandhara was influenced by Ancient Greek art, leading to the development of Greco-Buddhist art with anatomically well-proportioned and realistic figure of the Buddha. One of the most influential Buddhist art was Gupta art and the later Amaravati style. From India the depiction of Buddha spread to the rest of Asia.
Behrend, Kurt A. (ed), The Art of Gandhara in the Metropolitan Museum of Art, 2007, Metropolitan Museum of Art, ISBN 9781588392244, online; Behrend, Kurt A., The Ancient Reuse and Recontextualization of Gandharan Images: Second to Seventh Centuries CE, 2009, South Asian Studies, Ganharan Studies, vol. 2, online at www.academia.edu
Gandhara (IAST: Gandhāra) was an ancient Indo-Aryan [1] civilization centred in present-day north-west Pakistan and north-east Afghanistan. [2] [3] [4] The core of the region of Gandhara was the Peshawar and Swat valleys extending as far east as the Pothohar Plateau in Punjab, though the cultural influence of Greater Gandhara extended westwards into the Kabul valley in Afghanistan, and ...
Buddha in parinirvana, Gandhara art, 2nd or 3rd century Buddha entering nirvana, Bắc Ninh province, Vietnam, 17th century AD. A reclining Buddha is an image that represents Buddha lying down and is a major iconographic theme in Buddhist art. It represents the historical Buddha during his last illness, about to enter the parinirvana. [1]