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Gandhara art reached its zenith from the 3rd-5th century CE, when most surviving motifs and artworks were produced. [1] Gandhara art is characterized by Buddhist subject matter, sometimes adapting Greco-Roman elements, rendered in a style and forms that are heavily influenced by Greco-Roman art.
Initially, Buddhist art was aniconic, but Greco-Roman influences led to the emergence of anthropomorphic depictions of the Buddha in the 1st century CE. [41] The height of this artistic style was during the Kushan Empire. Many examples of Gandhāran Buddhist sculpture have been found, showing the influence of Greco-Roman sculpture.
The Seated Buddha from Gandhara is an early surviving statue of the Buddha discovered at the site of Jamal Garhi in ancient Gandhara in modern-day Pakistan, that dates to the 2nd or 3rd century AD during the Kushan Empire. Statues of the "enlightened one" were not made until the 1st century CE.
Gandhara (IAST: Gandhāra) was an ancient Indo-Aryan [1] civilization centred in present-day north-west Pakistan and north-east Afghanistan. [2] [3] [4] The core of the region of Gandhara was the Peshawar and Swat valleys extending as far east as the Pothohar Plateau in Punjab, though the cultural influence of Greater Gandhara extended westwards into the Kabul valley in Afghanistan, and ...
The Amaravati school of Buddhist art was one of the three major Buddhist sculpture centres along with Mathura and Gandhara and flourished under Satavahanas, many limestone sculptures and tablets which once were plastered Buddhist stupas provide a fascinating insight into major early Buddhist school of arts.
Face of the statue, from 3 angles. Base of the statue. Standing Buddha, National Museum, New Delhi. Hand detail. From another direction, Chinese historical sources and mural paintings in the Tarim Basin city of Dunhuang accurately describe the travels of the explorer and ambassador Zhang Qian to Central Asia as far as Bactria around 130 BC, and the same murals describe the Emperor Han Wudi ...
The Greco-Buddhist art of Gandhara, beyond the omnipresence of Greek style and stylistic elements which might be simply considered as an enduring artistic tradition, [89] offers numerous depictions of people in Greek Classical realistic style, attitudes and fashion (clothes such as the chiton and the himation, similar in form and style to the ...
Johanna Hanink has attributed the concept of "Greco-Buddhist art" to a European scholarly inability to accept that natives could have developed "the pleasing proportions and elegant poses of sculptures from ancient Gandhara", citing Michael Falser and arguing that the entire notion of "Buddhist art with a Greek 'essence'" is a colonial ...
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