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"Cat's in the Cradle" is a folk rock song by American singer-songwriter Harry Chapin, from his fourth studio album, Verities & Balderdash (1974). The single topped the US Billboard Hot 100 in December 1974. As Chapin's only number-one song, it became the best known of his work and a staple for folk rock music.
The enthusiasm doo-wop fans had for the Chords' music was dampened when Gem Records claimed that one of the groups on its roster was called the Chords; consequently the group changed their name to the Chordcats. [3] Their success was a one-off as subsequent releases, including "Zippity-Zum", all failed to chart. [3]
They rarely meow to communicate with fellow cats or other animals. Cats can socialize with each other and are known to form "social ladders," where a dominant cat is leading a few lesser cats. This is common in multi-cat households. Cats can use a range of communication methods, including vocal, visual, tactile and olfactory communication.
Each line of text in the above has eight beats, and usually the chords fall (piano) or begin (organ) on the capitalized words. The chord progression repeats every 8 beats, so one might think of the song as being in either 2/ time or 8/ time (whichever denominator is used for reference time, i.e. 2/4 or 8/4 time if the beat is a quarter note, etc.).
Cats seem to have a whole bunch of reasons why they pop themselves into a loaf position and while it can signal a problem (such as illness), for the most part, loafing is just really comfortable ...
4. They like the smell. Wait, what? They like the smell? No, I haven’t gone crazy. Feet might smell a bit gross to us humans, but cats likely interpret this smell differently.
6. Avoiding movement An owner’s head is less likely to move around compared to their arms or legs. Cats value stability while they rest, so this spot feels more predictable and they are less ...
The Cat fugue has been a popular piece at least since the 19th century.Franz Liszt – who had been introduced to the piece by the Roman collector of manuscripts Fortunato Santini [4] – included it in his programmes in Berlin in the early 1840s; [5] Ignaz Moscheles also performed it, and both programmed it under the title Cat's fugue.