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Paganini's theme is stated on strings with the piano picking out salient notes, after the first variation. Rachmaninoff likely got the idea of having a variation before the theme from the finale of Beethoven's Eroica symphony. [4] Variations II to VI recombine elements of the theme.
Variazioni sul Barucabà (Barucaba variations) Violin (original version for solo violin) 60 Variations on the Genoese folksong "Barucabà" (Part I: Tema in A major, with 20 Var. - Part II: Tema in C major, with 20 Var. - Part III: Tema in D major, with 20 Var.) 1835: 14: 71b: Variazioni sul Barucabà (Barucaba variations) Violin / Guitar
Pavel Necheporenko: Variations on a Theme by Paganini (transcribed for unaccompanied balalaika) Frank Proto: Nine Variants on Paganini for Double Bass and Orchestra (2001; also for double bass and piano) Manuel Quiroga: 9 Variations on Paganini's Caprice No. 24 (violin and piano); 12 Variations on Paganini's Caprice No. 24 (violin and piano)
The final variation in each section is virtuosic and climactic. Brahms intended the work to be more than simply a set of theme and variations; each variation also has the characteristic of a study. He published it as Studies for Pianoforte: Variations on a Theme of Paganini. The work was dedicated to the piano virtuoso Carl Tausig. It is well ...
piano, violin, and cello 1893–4: 10: Sept Morceaux de Salon: piano No. 1, Nocturne in A minor: No. 2, Valse in A major: No. 3, Barcarolle in G minor: No. 4, Mélodie in E minor: No. 5, Humoresque in G major (revised in 1940) No. 6, Romance in F minor: No. 7, Mazurka in D ♭ major: 1894: Chorus of Spirits: mixed chorus 1894: Song of the ...
Manuel Quiroga – 9 Variations on Paganini's Caprice No. 24, 12 Variations on Paganini's Caprice No. 24, both for violin and piano; Sergei Rachmaninoff – Rhapsody on a Theme of Paganini, Op. 43 (1934), a set of 24 variations for piano and orchestra; George Rochberg – 50 Caprice Variations for solo violin (1970)
Eugène Ysaÿe – Paganini Variations for violin and piano; The Caprice No. 24 in A minor, Op. 1, (Tema con variazioni) has been the basis of works by many other composers. Notable examples include Brahms's Variations on a Theme of Paganini and Rachmaninoff's Rhapsody on a Theme of Paganini.
Variations on a Theme by Paganini (Polish: Wariacje na temat Paganiniego), often referred to as the Paganini Variations, is an arrangement for two pianos of Niccolò Paganini's Caprice No. 24, from Paganini's original set of 24 Caprices for violin, written by Polish composer Witold Lutosławski. The arrangement, originally composed in 1941, was ...