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The Society for Creative Anachronism (SCA) is a medieval reenactment group with an international membership, founded in California in 1966. Members of the group participate, to a greater or lesser extent, in a wide variety of activities based on those found in pre-1601 CE cultures.
Various SCA groups also sometimes host collegia or symposia, where members gather for a raft of classes on various medieval arts and sciences and other SCA-related topics. The minimum standard for attendance at an SCA event is "an attempt at pre-17th century clothing", [19] and there is a general goal of maintaining a historical atmosphere.
Her blue dress is "kirtled" or shortened by poufing it over a belt, c. 1460. Woman wears a simple headdress of draped linen and a red houppelande trimmed with white fur. Note that the sleeve is only attached to the dress at the top, 1467–1471. Maria Portinari wears a truncated cone hennin with a veil draped over the back. The black loop on ...
Woman wearing a one-piece bliaut and cloak or mantle, c. 1200, west door of Angers Cathedral.. The bliaut or bliaud is an overgarment that was worn by both sexes from the eleventh to the thirteenth century in Western Europe, featuring voluminous skirts and horizontal puckering or pleating across a snugly fitted under bust abdomen.
A conical hennin with black velvet lappets (brim) and a sheer veil, 1485–90. The hennin (French: hennin / ˈ h ɛ n ɪ n /; [1] possibly from Flemish Dutch: henninck meaning cock or rooster) [N 1] was a headdress in the shape of a cone, steeple, or truncated cone worn in the Late Middle Ages by European women of the nobility. [2]
Over the period clerical dress went from being merely normal lay dress to a specialized set of garments for different purposes. The bishop in the Ravenna mosaic wears a chasuble very close to what is regarded as the "modern" Western form of the 20th century, the garment having become much larger, and then contracted, in the meantime.
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