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Donegal Tweed Label in a flat cap. Donegal tweed is a woven tweed manufactured in County Donegal, Ireland. Originally all handwoven, it is now mostly machine woven and has been since the introduction of mechanised looms in the 1950s-1960s. Donegal has for centuries been producing tweed from local materials in the making of caps, suits and vests.
Irish Tweed is a woven fabric incorporating multi-coloured neps - scraps of wool said originally to have been swept from the floor under the looms at the end of the day, and incorporated into the next day's weaving. In the past, much weaving was done in the home, with the fabric being delivered to a broker.
The women's sack-back gowns and the men's coats over long waistcoats are characteristic of this period. Fashion in the years 1750–1775 in European countries and the colonial Americas was characterised by greater abundance, elaboration and intricacy in clothing designs, loved by the Rococo artistic trends of the period.
Harris Tweed woven in a herringbone twill pattern, mid-20th century. Tweed is a rough, woollen fabric, of a soft, open, flexible texture, resembling cheviot or homespun, but more closely woven. It is usually woven with a plain weave, twill or herringbone structure. Colour effects in the yarn may be obtained by mixing dyed wool before it is spun ...
Waistcoats sometimes even included embroidery or hand-painted designs. [3] At the same time, men began wearing the waistcoat apart from the totality of the three-piece suit and more casually with a variety of bottoms beyond the suit pant (khaki or jean). [21] Waistcoats can be double-breasted with buttons set in a horseshoe pattern.
Manet's unidentified man wears a tie secured with a jewel at the neck, a shawl-collared waistcoat, and a contrasting coat, 1860. George Augustus Sala wears an overcoat with black velvet collar, wide lapels, and deep cuffs over a frock coat, waistcoat, and tweed trousers. He wears leather gloves and carries a top hat. c. 1860–65.
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