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Totem pole carved by William Shelton in Olympia, Washington. The conservation and restoration of totem poles is a relatively new topic in the field of art conservation.Those who are custodians of totem poles include Native American communities, museums, cultural heritage centers, parks or national parks, camp grounds or those that belong to individuals.
Totem poles and houses at ʼKsan, near Hazelton, British Columbia.. Totem poles serve as important illustrations of family lineage and the cultural heritage of the Indigenous peoples in the islands and coastal areas of North America's Pacific Northwest, especially British Columbia, Canada, and coastal areas of Washington and southeastern Alaska in the United States.
In the 1930s, crews from the Civilian Conservation Corps relocated and/or replicated additional totem poles at the house site, restored the house, constructed a small park, and cut a trail from the center of new Kasaan to the park and adjacent cemeteries. [2] The site was listed on the National Register of Historic Places in 2002. [1]
Archaeological investigations, carried out just 100 metres north of Stonehenge back in the 1960s suggest that a series of giant totem-pole-like timber obelisks had been erected there some 5,500 ...
Sitka National Historical Park (earlier known as Indian River Park and Totem Park) is a national historical park in Sitka in the U.S. state of Alaska. [4] [5] It was redesignated as a national historical park from its previous status as national monument on October 18, 1972. [6]
Lummi healing totem pole (up-close view, in honor of the victims of September 11th) Jewell James (born February 2, 1953; [1] also known as Praying Wolf, Sit ki kadem, and Tse Sealth) is a Lummi Nation master carver of totem poles, author, and an environmental activist. [2] [3] He is a descendant of Chief Seattle. [1]
A jangseung (Korean: 장승) or village guardian is a Korean totem pole usually made of wood. Jangseungs were traditionally placed at the edges of villages to mark village boundaries and frighten away demons. They were also worshipped as village tutelary deities.
While ill with pneumonia and unable to fish, he began to carve miniature totem poles. His interest in art was piqued, and he enrolled in the Institute of American Indian Arts in Santa Fe, New Mexico. Since then, Jackson's work has included large totem poles, canoes, carved doors, wood panel clan crests, masks, and jewelry.
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