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Example of the early plain style on this tombstone carved by George Griswold dated 1675. Hartford Ancient Burying Ground. The earliest known New England stonecutters were George Griswold and his uncle Matthew, who settled in Windsor, Connecticut around 1640. Matthew carved the oldest known grave marker in the New World, a table monument made of ...
The Proscribed Royalist, 1651 (1852-1853) is a painting by John Everett Millais which depicts a young Puritan woman protecting a fleeing Royalist after the Battle of Worcester in 1651, the decisive defeat of Charles II by Oliver Cromwell. The Royalist is hiding in a hollow tree, a reference to a famous incident in which Charles himself hid in a ...
Edward Frank GillettĖ Stubbs has his hand cut off (Hutchinson's Story of the British Nation, 1922). John Stubbs (or Stubbe) (c. 1544 – after 25 September 1589) was an English Puritan, pamphleteer, political commentator and sketch artist during the Elizabethan era, whose right hand was cut off on 3 November 1579 following a conviction for "seditious writing".
Smith is believed to be the same Thomas Smith who was commissioned by Harvard College on 2 June 1680 to produce a portrait of the Puritan theologian William Ames. [3] Because several Thomas Smiths were active in Boston in the late seventeenth century, it is very difficult to identify other contemporary references to persons of that name with ...
Endicott and his Puritan followers suppress freedom and individuality, a common theme for Hawthorne. At the beginning of the story "jollity" and "gloom" are said to be contending for an empire, the Merry Mount colonists personifying jollity or mirth and the Puritans being the emblems of gloom and doom.
Published by Boston University and The Currier Gallery of Art for The Dublin Seminar for New England Folklife, 1979. An exhibition catalog for a Loan Exhibition held at the Currier Gallery of Art, Manchester, NH. ISBN 0-87270-050-X. Bliss, William Root: Side Glimpses from the Colonial Meeting House. Houghton, Mifflin, and Company, New York, 1894.
There was no Puritan view against beauty in the arts, and therefore no objection to visual fineries; however, the pragmatism intrinsic to the Puritan mindset limited the amount of art produced in the Americas. [1] The practical activities of life generally outweighed any sort of extravagance in the Puritan community.
"Young Goodman Brown" is a short story published in 1835 by American writer Nathaniel Hawthorne. The story takes place in 17th-century Puritan New England, a common setting for Hawthorne's works, and addresses the Calvinist/Puritan belief that all of humanity exists in a state of depravity, but that God has destined some to unconditional election through unmerited grace.