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Example of the early plain style on this tombstone carved by George Griswold dated 1675. Hartford Ancient Burying Ground. The earliest known New England stonecutters were George Griswold and his uncle Matthew, who settled in Windsor, Connecticut around 1640. Matthew carved the oldest known grave marker in the New World, a table monument made of ...
The Puritans have often been depicted wearing simple black and white, but for them, the color "black" was itself considered too bold for regular use and was reserved for community elders and for highly formal occasions such as when having one's portrait painted. Black was considered so formal in part because black dye was difficult to obtain ...
The Old Ship Church, a Puritan meetinghouse in Hingham, Massachusetts. The plain style reflects the Calvinist values of the Puritans. In the years after the Antinomian Controversy, Congregationalists struggled with the problem of decreasing conversions among second-generation settlers.
Published by Boston University and The Currier Gallery of Art for The Dublin Seminar for New England Folklife, 1979. An exhibition catalog for a Loan Exhibition held at the Currier Gallery of Art, Manchester, NH. ISBN 0-87270-050-X. Bliss, William Root: Side Glimpses from the Colonial Meeting House. Houghton, Mifflin, and Company, New York, 1894.
The Puritan culture of the New England colonies of the seventeenth century was influenced by Calvinist theology, which believed in a "just, almighty God," [1] and a lifestyle of pious, consecrated actions. The Puritans participated in their own forms of recreational activity, including visual arts, literature, and music.
To be a 'school' a group of poets must share a common style or a common ethos. A commonality of form is not in itself sufficient to define a school; for example, Edward Lear, George du Maurier and Ogden Nash do not form a school simply because they all wrote limericks. There are many different 'schools' of poetry.
In the reign of King James I, "the Puritan" as a type was common enough that fiercely Anglican playwright Ben Jonson could satirize Puritans in the form of the characters Tribulation and Ananais in The Alchemist (1610) and Zeal-of-the-land Busy in Bartholomew Fair (1614). So by the end of the Elizabethan era, Anglican and Puritan factions were ...
Under Charles I, the Puritans became a political force as well as a religious tendency in the country. Opponents of the royal prerogative became allies of Puritan reformers, who saw the Church of England moving in a direction opposite to what they wanted, and objected to increased Catholic influence both at Court and (as they saw it) within the Church.