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Port with the disembarkation of Cleopatra in Tarsus (1642), by Claude Lorrain, Musée du Louvre, Paris. Light in painting fulfills several objectives, both plastic and aesthetic: on the one hand, it is a fundamental factor in the technical representation of the work, since its presence determines the vision of the projected image, as it affects certain values such as color, texture and volume ...
Other terms used for this body include body of glory, [2] spirit-body, luciform body, augoeides ('radiant body'), astroeides ('starry or sidereal body'), and celestial body. [ 3 ] The concept derives from the philosophy of Plato : the word 'astral' means 'of the stars'; thus the astral plane consists of the Seven Heavens of the classical planets .
Light art or the art of light is generally referring to a visual art form in which (physical) light is the main, if not sole medium of creation. Uses of the term differ drastically in incongruence; definitions, if existing, vary in several aspects.
Pre-Raphaelite art at this time often represented contemporary interest in the "spirit body", "aura" or "body of light". The etheric body, ether-body, or æther body is a subtle body propounded in esoteric and occult philosophies as the first or lowest layer in the human energy field or aura.
Light painting inside an abandoned limestone quarry in France. Light painting, painting with light, light drawing, light art performance photography, or sometimes also freezelight are terms that describe photographic techniques of moving a light source while taking a long-exposure photograph, either to illuminate a subject or space, or to shine light at the camera to 'draw', or by moving the ...
These qualities are present in different degrees depending on the artist’s work. Novak suggests that luminism is most closely associated with transcendentalism. The difficulty of precisely defining luminism has contributed to over-use of the term. [7] Luminism shares an emphasis on the effects of light with Impressionism. However, the two ...
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When discussing Italian art, the term sometimes is used to mean painted images in monochrome or two colours, more generally known in English by the French equivalent, grisaille. The term broadened in meaning early on to cover all strong contrasts in illumination between light and dark areas in art, which is now the primary meaning.