Search results
Results from the WOW.Com Content Network
According to Stephen Skinner, the study of sacred geometry has its roots in the study of nature, and the mathematical principles at work therein. [5] Many forms observed in nature can be related to geometry; for example, the chambered nautilus grows at a constant rate and so its shell forms a logarithmic spiral to accommodate that growth without changing shape.
Jay Hambidge (1867–1924) was an American artist who formulated the theory of "dynamic symmetry", a system defining compositional rules, which was adopted by several notable American and Canadian artists in the early 20th century.
Critchlow was professor of Islamic Art at the Royal College of Art in London from 1975 for many years. [11] He also delivered lectures on the application of sacred geometry in architecture at the Lindisfarne Association in New York City and then Crestone, Colorado, in the United States from 1978. [12]
A triskelion or triskeles is an ancient motif consisting either of a triple spiral exhibiting rotational symmetry or of other patterns in triplicate that emanate from a common center. The spiral design can be based on interlocking Archimedean spirals , or represent three bent human limbs.
Articles relating to sacred geometry, which ascribes symbolic and sacred meanings to certain geometric shapes and certain geometric proportions. Pages in category "Sacred geometry" The following 26 pages are in this category, out of 26 total.
Rangoli - art form originating from the Indian subcontinent Religious art – Art with religious subjects Shamsa – Intricately decorated rosette or medallion which is used in many contexts, including manuscripts, carpets, ornamental metalwork and architectural decoration such as the underside of domes Pages displaying wikidata descriptions as ...
Discover the best free online games at AOL.com - Play board, card, casino, puzzle and many more online games while chatting with others in real-time.
In his 1919 book Ad Quadratum, Frederik Macody Lund, a historian who studied the geometry of several Gothic structures, claims that the Cathedral of Chartres (begun in the 12th century), the Notre-Dame of Laon (1157–1205), and the Notre-Dame de Paris (1160) are designed according to the golden ratio. [3]