Search results
Results from the WOW.Com Content Network
Fort Rosalie was already included in the National Register as part of the 1972 NRHP-listed Natchez Bluffs and Under-the-Hill Historic District; the William Johnson House, at 210 State St., is a few blocks from the Fort Rosalie site and is both separately NRHP-listed and also included in the Natchez On-Top-of-the-Hill Historic District. Melrose ...
Great Temple on Mound C and the Sun Chiefs cabin, drawn by Alexandre de Batz in the 1730s. According to archaeological excavations, the area has been continuously inhabited by various cultures of indigenous peoples since the 8th century A.D. [1] The original site of Natchez was developed as a major village with ceremonial platform mounds, built by people of the prehistoric Plaquemine culture ...
The Natchez nabobs were a cohort of rich white male plantation owners, lawyers, and politicians who lived in and around the Natchez District of the lower Mississippi River valley of North America in the 18th and 19th centuries. [1]
Spain and England met here. Hope Farm, charming in its simplicity, had a section built in 1775, when the English owned the Natchez area. Then, in 1790, the Spanish Governor Carlos de Grand Pré added the gallery with its ornamented, sturdy columns. The building shows a merger of two different elements of building, and of two varying cultures. [3]
It includes National Historic Landmark-designated sites: [2]. House on Ellicott's Hill; Stanton Hall; Rosalie; Commercial Bank and Banker's House (c. 1837), consisting of the Commercial Bank Building, a "one-story three-bay stuccoed brick with stone facade commercial building of two-story height with Ionic portico," and the connected Greek Revival style.
The Natchez is an oil-on-canvas painting executed ca. 1834–35 by the French Romantic artist Eugène Delacroix. It depicts a Native American couple with their newborn child. The painting was inspired by a passage in Chateaubriand's Atala, which describes the family as the last members of the Natchez tribe
Bahin exhibited his paintings in Marseille, Southern France, from 1832 to 1845. [2]Bahin became a landscape painter and portraitist in the Antebellum South, especially in Natchez, Mississippi, and painted many members of the Southern aristocracy. [1]
Depicts Natchez Native American mother and father with their newborn child on the banks of the Mississippi River. Inspired by 1801 novel "Atala" by Chateaubriand, the setting is in French Colonial Louisiana; the Natchez couple have recently escaped upriver from a massacre.